大清乾隆孔雀蓝釉海水云龙纹大三弦尊/观音瓶/柳叶尊/莱菔尊/萝卜尊

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大清乾隆孔雀蓝釉刻云龙纹大观音瓶釉/莱菔尊/萝卜尊

参考：佳士得
30 5月 2017 | 現場拍賣 14612
中國宮廷御製藝術精品/ 重要中國瓷器及工藝精品
拍品 3014
A FINE PEACHBLOOM-GLAZED AMPHORA, LIUYE ZUN
THE PROPERTY OF AN ASIAN COLLECTOR
清康熙豇豆紅釉柳葉尊
KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1662-1722)

成交價 HKD 4,260,000
估價 HKD 2,200,000 – HKD 3,500,000

清康熙豇豆紅釉柳葉尊
KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1662-1722)

細節
清康熙豇豆紅釉柳葉尊
尊小口外撇，長頸，溜肩，肩下歛收，高圈足。通體施豇豆紅釉。足牆邊澀胎無釉，圈足內施白釉，青花書「大清康熙年製」楷書款。
6 1/4 in. (16 cm.) high

來源
香港佳士得，2005年5月30日，拍品1233號

狀況報告
謹請注意，所有拍品均按「現狀」拍賣，閣下或閣下的專業顧問應於拍賣前親自查看拍品以評鑑拍品之狀況
– 整體品相良好

拍品專文
此尊造型纖巧俊美，釉色勻淨，盈潤如玉，為康熙單色釉瓷器中之佳作。紐約大都會博物館舊藏一件器型相同的豇豆紅柳葉尊，足牆鑲金屬邊，2015年9月15日於紐約佳士得拍賣，拍品918號。
更多來自

参考：佳士得
2021年12月3日 | 現場拍賣 20163
重要中國瓷器及工藝精品
拍品 2910
A FINE AND VERY RARE CARVED CELADON-GLAZED ‘CHILONG’ VASE
重要私人珍藏
清乾隆粉青釉凸花團螭紋觀音尊六字篆書款
QIANLONG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

估價 HKD 3,500,000 – HKD 4,500,000

清乾隆粉青釉凸花團螭紋觀音尊六字篆書款
QIANLONG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

清乾隆粉青釉凸花團螭紋觀音尊六字篆書款
9 1/8 in. (23.2 cm.) high, box

來源
暫得樓舊藏

出版
Helen D. Ling 及仇焱之，《暫得樓珍藏歷代名瓷影譜》，卷3，香港，1950年，圖版183

展覽
上海博物館、首都博物館、香港中文大學文物舘，《暫得樓清代官窯單色釉瓷器》，2005年，展覽圖錄，頁116-117，圖版41號

拍品專文
本瓶器形簡練，體態雅致。紋飾以減地錐拱技法而成，團螭紋分佈於腹部兩側，頸部飾蕉葉紋，間以花卉及圓點，肩頂再飾一圈花卉、圓點，於一圈如意雲肩之上，脛部為花卉紋及蕉葉紋。整體紋飾於瑩潤的粉青釉下若隱若現，清雅致極。

粉青釉瓷器於乾隆時期頗為盛行，但釉色純淨及紋飾細緻如此瓶者極為罕見，爬梳全球公私珍藏，似未見其他相同之例。暗花團螭紋於康熙時期已有所見。康熙白釉太白尊上有與此相當類似的團螭紋，亦以減低浮雕手法而成，見北京故宮博物院藏一例，載於《故宮博物院藏清代御窯瓷器》卷一，上冊，北京，2005年，圖版119號。而康熙豇豆紅太白尊上的團螭紋則以淺刻方式描繪了相同的主題，見《清代單色釉瓷器特展目錄》，台北，1981年，圖版3號。

本瓶亦令人聯想到康熙時期的青釉凸花海水龍紋萊菔尊。或許是因為康熙時期的御窯廠尚未掌握控制青釉深淺的技巧，該類萊菔尊的釉色普遍較深，但減地浮雕的紋飾及青釉的搭配，呈現與此瓶類似的視覺效果，見北京故宮博物院藏品兩件，上揭書，圖版112、113號，及紐約蘇富比2014年9月16日拍賣一件，拍品156號。

参考：香港蘇富比拍卖有限公司
2006-04-10
2006春季拍卖会
中国瓷器工艺品
LOT号： 1607 清康熙粉青釉浮雕祥云纹水盂

拍品信息
尺寸 7.5cm
估价 HKD 　1,200,000-1,500,000
成交价 RMB 　1,497,600HKD 　1,440,000USD 　185,567EUR 　158,400
说明《大清康熙年制》款

参考：香港蘇富比拍卖有限公司
2006-04-10
2006春季拍卖会
中国瓷器工艺品
LOT号： 1611 清乾隆白釉浮雕赶珠云龙纹大梅瓶

拍品信息
尺寸 70.5cm
作品分类陶瓷>清代单色釉瓷器
估价 HKD 　1,500,000-2,000,000
成交价 RMB 　3,153,280HKD 　3,032,000USD 　390,722EUR 　333,520

参考：苏富比 156
中國瓷器及工藝品
美國私人收藏
清康熙青釉海水雲龍紋三弦尊《大清康熙年製》款

200,000 — 300,000美元
拍品已售 2,285,000 美元成交價 (含買家佣金)

拍品詳情
清康熙青釉海水雲龍紋三弦尊《大清康熙年製》款
高 7 3/4 英寸，19.6 公分

狀況報告
口沿上有一道爆釉痕跡，除之外品相良好。

來源
20世紀早期購於加州三藩市，後家族承傳

中國瓷器及工藝品
2014年9月16日 – 2014年9月17日 | 上午 10:30 EDT
紐約

参考：佳士得拍賣 2963
重要中國瓷器及工藝精品
Hong Kong|2012年11月28日
拍品2118|PROPERTY FROM THE COLLECTION OF MR. J. INSLEY BLAIR PROCEEDS IN PART TO BENEFIT THE MOUNT DESERT ISLAND BIOLOGICAL LABORATORY, SALISBURY COVE, MAINE
清康熙月白釉柳葉尊六字楷書款
KANGXI SIX-CHARACTER MARK AND OF THE PERIOD (1662-1722)

成交總額
HKD 12,420,000

估價
HKD 1,200,000 – HKD 1,800,000
尊小口外撇，長頸，溜肩，肩下歛收，高圈足。通體施月白釉。足牆邊澀胎無釉，圈足內施白釉，青花書「大清康熙年製」楷書款。

此尊造型纖巧俊美，釉色勻淨，盈潤如玉，為康熙單色釉瓷器中之佳作。此尊下承精美的龍首銀座，座上有「Tiffany & Co.」款，紐約大都會博物館藏一件與此器相似的柳葉尊，下承相同的Tiffany 銀座。

此器原為著名芝加哥收藏家帕摩夫人 ( Mrs. Potter Palmer, 1849-1918 年）之舊藏，芝加哥藝術博物館於十九世紀末入藏亞洲藝術品，帕摩伉儷的捐贈功不可沒。後由貝萊爾收藏，並著錄於1925 年紐約出版《The J. Insley Blair Collection of Chinese Porcelain》（貝萊爾藏中國瓷器），圖版III，161 號。

來源
Mrs. Potter Palmer, Chicago (1849-1918)
J. Insley Blair (1870-1939) and thence by descent to the present owners

文獻及展覽
文獻

The J. Insley Blair Collection of Chinese Porcelain, Tuxedo Park, New York, 1925, pl. III, no. 161

拍品專文
The vase is described as an amphora after the Greek shape, but it is known in Chinese as Guanyin ping as its shape compares well to the libation vase said to contain ambrosia held by many figures of Guanyin, as depicted in paintings and sculptures. It is also known in Chinese as liuye ping, ‘willow-leaf vase’, owing to its elegant form which resembles that of a willow leaf. Vases of this form belong to one of the eight vessels made for the imperial scholar’s desk, known as Badama, ‘Eight Great Numbers’, and decorated with the peachbloom glaze.

Compare to a similar example in the Metropolitan Musuem of Art, New York, also with a Tiffany & Co. stand and bequeathed by Benjamin Altman in 1913, who was a contemporary of J. Insley Blair (acquisition no.: 14.40.367). Another example, also in the Metropolitan Museum of Art, is illustrated in The World’s Great Collections, Oriental Ceramics, vol. 12, Tokyo, 1977, no. 136, where it is illustrated with other clair-de-lune glazed objects for the scholar’s table. S.G. Valenstein also discusses this collection and relates the finely potted cobalt-glazed wares to later period in the Kangxi reign, see A Handbook of Chinese Ceramics, New York, 1989, pp. 239-241. Another from the collection of Prince Gong (1833-1898), is illustrated by S. Lee, Selected Far Eastern Art in the Yale University Art Gallery, New Haven, Yale University Press, 1970, no. 341.

Two examples were sold at auction, the first from the Jingguantang Collection, sold at Christie’s Hong Kong, 5 November 1997, lot 861, and the other was sold at Sotheby’s Hong Kong, 1 November 1999, lot 340.

編製圖錄及詳情
拍品前備註
PROPERTY FROM THE COLLECTION OF MR. J. INSLEY BLAIR

PROCEEDS IN PART TO BENEFIT THE MOUNT DESERT ISLAND BIOLOGICAL LABORATORY, SALISBURY COVE, MAINE

参考：纽约大都会博物馆
清康熙桃红釉/豇豆红釉萝卜瓶/莱菔尊
Vase, Porcelain with peach-bloom glaze (Jingdezhen ware), China
1713–22
China

On view at The Met Fifth Avenue in Gallery 202

纽约大都会博物馆清康熙桃红釉萝卜瓶/莱菔尊Vase, Porcelain with peach-bloom glaze (Jingdezhen ware)

Object Details
Period:Qing dynasty (1644–1911), Kangxi mark and period (1662–1722)
Date:1713–22
Culture:China
Medium:Porcelain with peach-bloom glaze (Jingdezhen ware)
Dimensions:H. 8 in. (20.3 cm)
Classification:Ceramics
Credit Line:Bequest of Mary Stillman Harkness, 1950
Accession Number:50.145.286
Signatures, Inscriptions, and Markings
Marking: Nianhao mark of Kangxi (six characters in blue on bottom)
Provenance
Mary Stillman Harkness , New York (until d. 1950; bequeathed to MMA)
Timeline of Art History
Timelines
Central and North Asia, 1600-1800 A.D.
China, 1600-1800 A.D.
MetPublications
“Highlights of Chinese Ceramics”: The Metropolitan Museum of Art Bulletin, v. 33, no. 3 (Fall, 1975)
A Handbook of Chinese Ceramics

参考：纽约大都会博物馆
清康熙桃红釉/豇豆红釉萝卜瓶/莱菔尊
Vase, Porcelain with peach-bloom glaze (Jingdezhen ware), China
1713–22
China

Lush pinkish-red glazes, such as the “peach bloom” on this small vase, were first produced in the third quarter of the seventeenth century. Small vases in this shape have long been thought to belong to sets of eight or more accoutrements designed for a writing table. This is one of four vases, each with a subtly different shape, that were found among a set of implements. It is distinguished from the others by the three thin rings at the base of the neck. These sets, which may or may not actually have been used, were most likely intended for presentation as gifts to officials working at the court. As is often the case with works produced for the court, a six-character inscription on the base indicates that it was made during the reign of the Kangxi emperor (Da Qing Kangxi nian zhi). The style of writing of the Chinese characters, however, helps date the piece to the period from 1678 to 1688

On view at The Met Fifth Avenue in Gallery 200
Object Details
Period:Qing dynasty (1644–1911), Kangxi mark and period (1662–1722)
Date:1713–22
Culture:China
Medium:Porcelain with peach-bloom glaze (Jingdezhen ware)
Dimensions:H. 7 3/4 in. (19.7 cm)
Classification:Ceramics
Credit Line:Bequest of Benjamin Altman, 1913
Accession Number:14.40.377
Signatures, Inscriptions, and Markings
Marking: Kangxi mark (six letters in blue)
Provenance
Matthew C. D. Borden , New York (until d. 1912; his estate sale, American Art Association, New York, February 14–15, 17, 1913, lot 255, to Duveen for Altman); Benjamin Altman , New York (until d. 1913; bequeathed to MMA)
Timeline of Art History
Timelines
Central and North Asia, 1600-1800 A.D.
China, 1600-1800 A.D.