大清乾隆 粉青釉仿汝釉螭龙耳方瓶

Description

大清乾隆 仿汝釉粉青釉螭龙耳方瓶

参考：佳士得
25 6月 2021 | 網上拍賣 20379
亞洲藝術
拍品 416
瑞士私人珍藏
清或更晚 青釉雙龍耳方瓶
CHINE, DYNASTIE QING (1644-1911) OU POSTERIEUR

成交價 EUR 2,750
估價 EUR 1,000 – EUR 2,000

Marque Da De Tang Zhi à la base.
Hauteur: 25,5 cm. (10 in.)

Please note this lot is the property of a consumer. See H1 of the Conditions of Sale.

來源
瑞士私人珍藏，現藏家父親于1980年代至1990年代購入，后家族傳承

狀況報告
拍品的狀況可能存在極大差異，而由於其性質使然，拍品難以處於完美無瑕的狀態。拍品均以拍賣時的狀況出售。

We have sought to record changes in the condition of this piece acquired after its initial manufacture.
There are some minute frittings to the mouth rim, the handles, and the footrim.
There are one flat chip to one corner of the body and another one to the corner of the foot.
There are age wear and minor surface scratches.

参考：佳士得
7 12月 2021 | 現場拍賣 20090
亞洲藝術
拍品 184
PETIT VASE EN PORCELAINE CELADON DE TYPE RU
清雍正或更晚 仿汝釉雙耳小瓶「雍正年製」四字篆書款
CHINE, DYNASTIE QING, MARQUE A QUATRE CARACTERES EN CACHET EN BLEU SOUS COUVERTE ET POSSIBLEMENT EPOQUE YONGZHENG (1723-1735) OU POSTERIEUR

成交價 EUR 35,000
估價 EUR 20,000 – EUR 30,000

可能為清雍正或更晚 仿汝釉雙耳小瓶「雍正年製」四字篆書款
CHINE, DYNASTIE QING, MARQUE A QUATRE CARACTERES EN CACHET EN BLEU SOUS COUVERTE ET POSSIBLEMENT EPOQUE YONGZHENG (1723-1735) OU POSTERIEUR

可能為清雍正或更晚 仿汝釉雙耳小瓶「雍正年製」四字篆書款
Hauteur: 16,5 cm. (61/2 in.)
來源
倫敦佳士得，南肯辛頓，2008年5月15日，拍品352號

注意事項
From time to time, Christie’s may offer a lot which it owns in whole or in part. This is such a lot.
ƒ: In addition to the regular Buyer’s premium, a commission of 5.5% inclusive of VAT of the hammer price will be charged to the buyer. It will be refunded to the Buyer upon proof of export of the lot outside the European Union within the legal time limit. (Please refer to section VAT refunds)

拍品專文
A SMALL RU-YPE CELADON GLAZED TWO-HANDLED BOTTLE VASE
CHINA, QING DYNASTY, YONGZHENG FOUR-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND POSSIBLY OF THE PERIOD (1723-1735) OR LATER

狀況報告
We have sought to record changes in the condition of this piece acquired after its initial manufacture.
The vase is in good overall condition with very slight old surface wear as expected.
The actual colour is comparable to the catalogue illustration.

拍品專文
Compare to two almost identical ru-type celadon vases with a Yongzheng mark, both dated Yongzheng period, one sold in Christie’s Hong Kong, 27 October 2003, lot 697, and another one sold at Sotheby’s London, 10 June 2003, lot 180. Also see a larger ru-type celadon vase (27.5 cm high), dated Yongzheng period, and also bearing a four-character seal mark to the base, sold in Christie’s Paris, 22 November 2005, lot 174.

参考：佳士得
24 9月 2020 | 現場拍賣 18823
重要中國瓷器及工藝精品
拍品 1841
A RARE CELADON-GLAZED FACETED VASE
PROPERTY FROM A NEW ENGLAND PRIVATE COLLECTION
清乾隆 粉青釉六方瓶 六字篆書款
QIANLONG SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

成交價 USD 93,750
估價 USD 50,000 – USD 70,000

清乾隆 粉青釉六方瓶 六字篆書款
QIANLONG SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

清乾隆 粉青釉六方瓶 六字篆書款
14 ¼ in. (36 cm.) high

來源
Acquired in the United States in the 1990s.

狀況報告
We have sought to record the changes in the condition of this piece acquired after its initial manufacture.
– Appears to be in overall good condition.
– There is a pinprick hole to the edge of one handle and a small dark spot under glaze at the middle of the body, which are both inherent to manufacture.

拍品專文
Celadon-glazed Qianlong-marked vases of this shape are very rare. A Qianlong-marked vase of similar shape and with similar dragon-form handles, but decorated in underglaze blue and yellow enamel, is illustrated in The Tsui Museum of Art, Hong Kong, 1991, no. 122.

參考：蘇富比
Imperial Porcelain – A Private Collection
6 November 2019 • 10:30 GMT • London
25
A RARE CELADON-GLAZED INCISED ‘LOTUS’ ARCHAISTIC SQUARE VASE, QIANLONG INCISED SEAL MARK AND PERIOD
清乾隆 粉青釉刻纏枝蓮紋夔龍耳四方尊 《大清乾隆年製》款

VAT reduced rate
估价：80,000 – 120,000 GBP
拍品已售 100,000 GBP

详情
A RARE CELADON-GLAZED INCISED ‘LOTUS’ ARCHAISTIC SQUARE VASE
QIANLONG INCISED SEAL MARK AND PERIOD
清乾隆 粉青釉刻纏枝蓮紋夔龍耳四方尊 《大清乾隆年製》款

the tapered square body rising to a waisted neck and lipped rim, each corner applied with a stylised kui dragon handle, each side of the body finely incised with dense scrolling foliage bearing large lotus blossoms, all between bands of pendant ruyi heads and lappet borders, the neck similarly incised with upright stylised floral motifs, applied overall with a lustrous sea-green glaze thinning along the edges and pooling to a darker tone within the incised design, the base with an incised six-character seal mark

Height 23 cm, 9 in.

状况报告
The vase has a hairline glaze line that runs along both sides of one handle but does not meet at the upper section. There is a shallow 0.4 cm wide glaze flake to the rim.

其一龍耳可見一細沖，從兩側向下延伸，止於四方尊上半部分，口沿見一約0.4公分寬淺剝釉。

相关资料
This vase is remarkable for its pleasing proportions, watery celadon glaze and subtly incised floral scroll. It encapsulates the prevailing taste at the Qianlong court for porcelain that adapted familiar forms and combined them with novel designs. The facetted shape and four dragon handles were inspired by archaic bronze vessels of the Eastern Zhou period (770-256 BC), while its incised feathery scroll is strongly indebted to French Rococo. The craftsman who made this piece successfully adapted the somewhat austere archaic bronze shape to the sophisticated taste of the Qing court by diminishing the size of the four handles and incising the body with a luxuriant scroll.

Vases of this unusual form and incised with a floral scroll are rare. A vase of similar form but with an incised floral scroll rendered in gilt, formerly in the Robert Chang Collection, was included in the exhibition Important Chinese Ceramics from the Robert Chang Collection, Christie’s London, 1993, cat. no. 113, then sold in our Hong Kong rooms, 27th April 1993, lot 246. Compare also with a pair of reticulated vases of related form but larger size, similarly fashioned with four dragon-shaped handles on the neck and decorated in famille-rose enamels against a celadon ground, sold at Christie’s Hong Kong, 29th May 2007, lot 1370.

For the prototype of this form, see a bronze fanghu with large dragon handles at the four corners, attributed to the 4th century BC, unearthed in Pingshan, Hebei province, and illustrated in Zhongguo qingtongqi quanji, Dong Zhou [Complete Collection of Chinese Bronzes. Eastern Zhou], vol. 9, Beijing, 1997, pl. 154.

本尊比例勻稱，粉青釉瑩潤，纏枝蓮紋含蓄秀例。乾隆瓷器取多經典，以新穎紋飾重新組合，本品亦屬此例。方壺及四龍耳器型源自東周青銅器，卷草紋則源材法國洛可可藝術風格。東周方壺樸雅簡約，本尊則四龍耳尺寸較小，更顯釉色瑩亮，加之紋飾秀麗，從中可見清朝宮廷瓷器品味高雅。

本品器型罕見，帶刻花紋飾者更為難得，唯可比較一例，器型相近，描金紋飾，出自張宗憲收藏，曾展於《Important Chinese Ceramics from the Robert Chang Collection》，倫敦佳士得， 1993年，編號113，售於香港蘇富比1993年4月27日，編號246。比較一對縷空尊例，尺寸較大，四龍耳與本品相近，青釉，粉彩紋飾，售於香港佳士得2007年5月29日，編號1370。

本品原型，參考一件河北平山出土青銅方壺，四方帶龍狀壺耳，壺耳較本品為大，斷代公元前四世紀，圖載於《中國青銅器-東周》，卷9，北京，1997年，圖版154。

参考：苏富比
3107
雅静清靈：清代御瓷私人珍藏
清乾隆 仿汝釉葵式雙龍耳盤口瓶 《大清乾隆年製》款

3,000,000 — 5,000,000港幣
拍品已售 9,175,000 港幣 成交價 (含買家佣金)

拍品詳情
清乾隆 仿汝釉葵式雙龍耳盤口瓶 《大清乾隆年製》款
19.9 公分；7 3/4 英寸

狀況報告
整體品相良好，惟見口沿一處細小縮釉及鐵斑。

來源
紐約蘇富比1983年6月15日，編號319

相關資料
盤口瓶釉色瑩潤，造形端雅，呼應乾隆帝慕古求精之審美品味。
乾隆尚古，命御窰依古式，燒造多樣新瓷，並曾詔命運送古瓷珍品至景德鎮作為摹本傚之。是時御窰督陶官唐英（1682-1756年）擅詩詞書畫，聰穎多才，促使製瓷工藝臻絕超卓，汲古創新，其時瓷器創燒佳作不斷。

本品亦屬唐英所造新式官瓷，器形取材南宋浙江龍泉窰紙槌瓶。龍泉例見康蕊君，《玫茵堂中國陶瓷》，卷1，倫敦，1994年，編號570。以古為本，添以平肩、直頸、雙耳造形簡化，葵瓣式主軸連貫全器，更顯新穎，施以豐厚青釉，溫潤瑩輝，傚擬宋代官窰，秀麗迷人。

日內瓦鮑爾珍藏一件類同作例，錄於 John Ayers，《The Baur Collection, Geneva; Chinese Ceramics》，卷1，日內瓦，1968年，編號A370；另一例則見於拍賣會，紐約佳士得1995年3月23日，編號129，出自 Scheinman 舊藏。

並比較一件相類仿官釉瓶，器形更近紙槌瓶，亦為日內瓦鮑爾珍藏，載於 John Ayers，同上，編號A341。

雅静清靈：清代御瓷私人珍藏
2019年10月8日 | 上午 10:00
香港

参考：佳士得
拍賣 2190
重要中國瓷器及工藝精品
Hong Kong|2005年5月30日
拍品1487| 清 乾隆 仿 汝窑瓶
VARIOUS PROPERTIES
A RARE RU-TYPE FACETED VASE

成交總額 HKD 660,000
估價 HKD 250,000 – HKD 300,000

A RARE RU-TYPE FACETED VASE
QIANLONG SIX-CHARACTER SEALMARK AND OF THE PERIOD (1736-1795)

The tapered square body with canted corners, with a slightly waisted neck and flared foot of conforming section, covered overall in a lightly crackled glaze of characteristic bluish-grey tone
13 1/4 in. (33.5 cm.) high, wood stand, Japanese wood box

來源
A Japanese collection

拍品專文
Compare with another ru-type vase of this form and date published in the Illustrated Catalogue of Tokyo National Museum, Chinese Ceramics, II, 1990, no. 721, from the collection of Hirota Matsushige.

参考：佳士得
拍賣 2152
重要中國瓷器及工藝精品
香港|2003年10月27日
拍品705 清 乾隆 仿汝窑 方瓶
A FINE AND VERY RARE RU-TYPE HEXAGONAL VASE

成交總額 HKD 1,743,750
估價 HKD 600,000 – HKD 800,000

A FINE AND VERY RARE RU-TYPE HEXAGONAL VASE
QIANLONG SIX-CHARACTER SEALMARK AND OF THE PERIOD (1736-1795)

The baluster vase of hexagonal section, well potted with an angled shoulder rising to a tall waisted neck, the lipped mouth rim and spreading foot of conforming shape, covered overall with an attractive glaze of soft blue tone
18 5/8 in. (47.3 cm.) high, stand, Japanese wood box

來源
Inoue Bansuiken
Kochukyo

拍品專文
No other vase of this shape and with this ru-type glaze appears to be published. Although vases of this shape are known in other types of glaze and decorated in underglaze-blue, very few are as small in size as the present vase.

Cf. a Yongzheng-marked ge-type-glazed vase of this shape but which is larger in size (68.5 cm.), sold in these Rooms, 29 April 1996. Compare also the Qianlong-marked blue and white vases of this form decorated with fruit and flower sprays, and measuring approximately 66 cm. in height, included in Selected Masterpieces of the Matsuoka Museum of Art, 1975, no. 102; and illustrated by Geng Baochang, Ming Qing Ciqi Jianding, Qingdai Bufen, p. 160, fig. 146.

参考：佳士得
拍賣 2152
重要中國瓷器及工藝精品
香港|2003年10月27日
拍品697 清 仿汝窑耳瓶
A FINE AND RARE SMALL RU-TYPE VASE

成交總額 HKD 215,100
估價 HKD 120,000 – HKD 150,000

A FINE AND RARE SMALL RU-TYPE VASE
YONGZHENG FOUR-CHARACTER SEAL MARK AND OF THE PERIOD (1723-1735)

The compressed globular body is potted with straight sides and a raised rib below the angled shoulder, surmounted by a tall neck flanked by a pair of zoomorphic handles, and rising to a cup-shaped mouth, covered overall with a pale blue glaze of even tone
5 1/8 in. (13 cm.) high, box

拍品專文
Compare the present lot with three other vases of identical design sold at Sotheby’s, the first in New York, 1 June, 1988, lot 158; a second in London, 8 June 1993, lot 109; and a third also in London, 10 June 2003, lot 180.

Cf. a larger vase (28.6 cm. high) of this form covered in a flambé glaze in the National Palace Museum, illustrated in Monochrome Porcelains of the Ch’ing Dynasty, Taibei, 1970, no. 20.

参考：佳士得
拍賣 2811
中國宮廷御製藝術精品、重要中國瓷器及工藝精品
Hong Kong|2010年5月31日
拍品2010|THE PROPERTY OF A GENTLEMAN
清乾隆 仿汝釉折肩貫耳尊 六字篆書款
A FINE AND RARE LARGE RU-TYPE HU-FORM VASE

成交總額 HKD 1,820,000
估價 HKD 1,500,000 – HKD 2,000,000

清乾隆 仿汝釉折肩貫耳尊 六字篆書款

來源
Previously sold at Sotheby’s Hong Kong, 1 May 2001, lot 525

拍品專文
The glaze on this Qianlong vase is a fine copy of early Ru ware. In the Qianlong reign Song dynasty stonewares, particuarly the crackled wares of Ge, Guan, and Ru-type were highly regarded by the emperor. Not only did the emperor collect Song dynasty examples of Ru wares, he also commissioned new porcelain with a similar glaze from the imperial kilns.

Few vases of this large size and shape are published. However, one of similar size and shape with a Ge-type glaze was sold at Christie’s New York, 21 September 2004, lot 315. Qianlong-marked blue and white vases of this form appear to be more common. A slightly smaller vase of the same form decorated in blue and white was included in the exhibition, The Wonders of the Potter’s Palette: Qing Ceramics from the Collection of the Hong Kong Museum of Art, Hong Kong, 1984, pl. 63; and several sold at auction, two at Christie’s New York, 1 June 1990, lot 247, and another example sold at Christie’s Hong Kong, 4 November 1996, lot 770. Another comparable hu-shaped vase with upright rather than flared mouth rim, decorated with similar floral scrolls, is illustrated in Blue and White Ware of the Ch’ing Dynasty, Book 1, National Palace Museum, Taipei, 1968, pl. 3.

Other vases with Song-type glazes usually have a facetted, hexagonal shape like the Yongzheng vase with Guan-type glaze in the Palace Museum illustrated in Monochrome Porcelain, The Complete Collection of Treasures of the Palace Museum, vol. 37, Hong Kong, 1999, p. 226, no. 204. However, the potter who made the current vase managed to throw and fire the vase successfully without restorting to strengthening vertical joins. It is another archaistic aspect of this vessel’s design that it is based upon a metalwork shape, evidenced by the tubular handles, and also the sharp junction between the shoulder and the body of the vessel. Interestingly, there is a small vase in the Baur Collection, the profile of which shares the current vase’s sharp shoulder junction, which is illustrated by J. Ayers and M. Sato (eds.), Sekai toji zenshu, vol. 15, Qing, Tokyo, 1983, p. 111, no. 121. The Baur Collection vase does not have the tubular handles but has been adapted from that of ancient bronze vessels. The current vase whilst having a shape that refers to ancient bronze forms, is undecorated so as not to detract from its beautiful glaze based on Song dynasty wares.

編製圖錄及詳情
拍品前備註
THE PROPERTY OF A GENTLEMAN

参考：佳士得
拍賣 12563
重要中國瓷器及工藝精品
Hong Kong, HKCEC Grand Hall|2016年11月30日
拍品3316
清雍正 仿汝釉如意耳方壺 六字篆書款
YONGZHENG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1723-1735)

成交總額 HKD 3,660,000
估價 HKD 3,000,000 – HKD 5,000,000

清雍正 仿汝釉如意耳方壺 六字篆書款
19 1/2 in. (49.6 cm.) high

來源
Monseigneur le Comte (1908-1999) 及 Comtesse de Paris (1911-2003) 公爵夫婦

拍品專文
Prince Henri of Orleans, Count of Paris was the Orleanist claimant to the throne of France from 1940 until his demise in 1999. The Count of Paris spent many of his formative years in exile in Morocco before returning to France in 1950 after the law of exile was rescinded.

Much of the collection inherited by the Count of Paris came directly from his royal ancestors, members of the House of Bourbon. It is likely to have been the Duke of Orleans, or his cousin Prince Henri of Orleans, the two great explorers of the family, who brought the current vase back from their travels. The family spent several periods in exile and during the Second World War the collection was sent to be housed in London, Morocco and Belgium. After the end of the war the collection was returned with Henri, 2nd Count of Paris to the family in France.

Yongzheng vases of this large size are extremely rare and the current vase stands out as an exceptional example of the Yongzheng adaptation of the Song dynasty Ru glaze.

Few Yongzheng examples of this shape have been published and they are usually found in a paler crackled grey Guan-type glaze such as the Yongzheng-marked example of the same form in the Tianjin Arts Museum, included in the Exhibition of Chinese Treasures of 5000 Years, Cultural Relics from Tianjin City in China, Japan, 1985, illustrated in the Catalogue, no. 44. Compare also a smaller square-section Guan-type vase in the Zande Lou Collection of similar inspiration but without the splayed foot or everted mouth found on the present vase, included in the exhibition, Qing Imperial Monochromes, the Zande Lou Collection, Chinese University of Hong Kong, illustrated in the Catalogue, pp. 56-57, no. 11. A Yongzheng-marked Guan-type vase of the same form but slightly smaller in size, was sold at Sotheby’s Hong Kong, 2 May 1995, lot 100; and again, 10 April 2006, lot 1614. Another slightly larger Guan-type example with more pronounced stained crackling was sold at Sotheby’s Hong Kong, 27 April 2003, lot 174.

Ru glazes have traditionally been much admired by Chinese connoisseurs, and were copied on porcelain as early as the 15th century. Excavations at the imperial kilns at Jingdezhen have revealed that Ru-type glazes were being made for the Ming imperial court. In 1984 a porcelain bowl with inverted rim and Ru-type glaze was excavated from the Xuande stratum at the imperial kilns published in Imperial Porcelain of the Yongle and Xuande Periods Excavated from the Site of the Ming Imperial Factory at Jingdezhen, Urban Council Hong Kong, 1989, pp. 276-7, no. 97. The imitation of this revered glaze became even more popular at court in the 18th century under the Yongzheng and Qianlong Emperors.

The Yongzheng emperor appears to have had particular admiration of these Ru wares and a number of vessels from his reign were made with fine Ru-style glazes. It is possible that the copy of Song dynasty Ru ware glazes made for the Yongzheng emperor was devised by the greatest of all the supervisors of the Imperial Kilns, Tang Ying, who first came to the kilns as resident assistant in 1728. Tang Ying was especially known for his highly successful imitation of early wares. Indeed the Jingdezhen tao lu notes that: ‘His close copies of famous wares of the past were without exception worthy partners (of the originals); and his copies of every kind of well-known glaze were without exception cleverly matched …’ translated by R. Kerr in Chinese Ceramics – porcelain of the Qing Dynasty 1644-1911, London, 1986, p. 20.

参考：佳士得
拍賣 13751
中國瓷器及工藝精品
紐約|2017年9月14日 – 15日
拍品1247|清 仿汝釉粉青釉螭龙耳瓶
THE PROPERTY OF A GENTLEMAN
A CLAIR-DE-LUNE-GLAZED VASE
19TH CENTURY

成交總額 USD 6,875
估價 USD 6,000 – USD 8,000

A CLAIR-DE-LUNE-GLAZED VASE
19TH CENTURY
The vase has a sloping shoulder, and the neck is flanked by two ruyi handles tapering to the flared mouth and raised on a spreading foot. The vase is covered in a pale sky-blue glaze.
7 ¾ in. (19.7 cm.) high

來源
Michael L. Vermeer, Atlanta, Georgia.

参考：佳士得
拍賣 2190
重要中國瓷器及工藝精品
Hong Kong|2005年5月30日
拍品1489 清乾隆 青釉小瓶
A FINE AND RARE SMALL CELADON-GLAZED BOTTLE VASE

成交總額 HKD 2,360,000
估價 HKD 1,200,000 – HKD 1,500,000

A FINE AND RARE SMALL CELADON-GLAZED BOTTLE VASE
QIANLONG SIX-CHARACTER SEALMARK AND OF THE PERIOD (1736-1795)

The vase finely potted with a rounded lower body rising from a flaring foot to an angled shoulder below the slender cylindrical neck, moulded with a horizontal rib above the foot, one below the shoulder and three at the base of the neck, all covered in a soft bluish-green glaze stopping neatly at the brown-dressed foot
6 1/2 in. (16.5 cm.) high, box

文獻及展覽
展覽
An Exhibition of Important Chinese Ceramics from the Robert Chang Collection, Christie’s London, 1993, Catalogue, p. 148, no. 69

拍品專文
No other vase of this form and glaze appears to be published.

Compare the form of this vase to a white-glazed incised vase with the same angled shoulder, flared foot and tall ribbed neck in the collection of the Percival David Foundation and included in the O.C.S. exhibition, The Ceramic Art of China, Victoria and Albert Museum, 1971, illustrated in the Catalogue, no. 240. Other similar forms with rounded lower bodies and angled shoulders rising to a long neck are known: another 18th-century vase from the Percival David Foundatin, with the addition of tubular handles, covered in a pale blue glaze, illustrated in Ming and Ch’ing Monochromes, Section 6, no. B564; and a soft-paste vase with moulded decoration, illustrated by John Ayers, Chinese Ceramics in the Baur Collection, Geneva, 1999, vol. 2, pl. 307.

参考：佳士得
拍賣 2811
中國宮廷御製藝術精品、重要中國瓷器及工藝精品
Hong Kong|2010年5月31日
拍品2013
清乾隆 仿汝釉六方瓶 六字篆書款
A RARE FACETTED RU-TYPE VASE

成交總額 HKD 500,000
估價 HKD 300,000 – HKD 500,000

來源
A Japanese private collection, Kyushu, Japan

拍品專文
Compare with two Qianlong marked ru-type vases of this rare form. The first published in the Illustrated Catalogue of Tokyo National Museum, Chinese Ceramics, II, 1990, no. 721, from the collection of Hirota Matsushige; the second also from a Japanese collection, sold at Christie’s Hong Kong, 28 November 2005, lot 1305.

編製圖錄及詳情
拍賣現場通告
Please note that this lot to be sold without the stand.

参考：佳士得
拍賣 2913
中國宮廷御製藝術精品
Hong Kong, HKCEC Grand Hall|2012年5月30日
拍品3966|ANOTHER PROPERTY
清雍正 仿汝釉如意耳葫蘆扁壺 六字篆書款
YONGZHENG SIX-CHARACTER SEAL MARK AND OF THE PERIOD (1723-1735)

成交總額 HKD 7,820,000
估價 HKD 8,000,000 – HKD 10,000,000

壺梨形口，束頸，扁圓腹，撇長方足。口、肩兩側對稱飾如意耳，通體施天青釉，足沿塗醬釉。底青花書「大清雍正年製」篆書款。

本壺形制源自明初青花扁壺，反映了伊斯蘭金屬器風格的影響，臺北故宮博物院藏二件明宣德原型，見1963年香港出版故宮藏瓷《明青花瓷（二）．宣德．上》，38-41頁，圖版1-10c號。雍正年間景德鎮官窰由督陶官唐英（1682-1756年）主理，在他領導下御瓷製作除造型和釉色不斷創新，還仿燒古代名窰釉色，水準達到前所未見的高峰。清藍浦《景德鎮陶錄》卷五記述：「公〔唐英〕深諳土脈火性… … 又仿肖古名窰諸器無不媲美；仿各種名釉無不巧合。」

雍正顏色釉葫蘆扁壺並不多見，此器碩大而仿汝釉更是珍罕，惟有一件近似例子2006年7月12日於倫敦蘇富比拍賣，拍品131號。另參考懷海堂藏一件雍正款仿官釉雙耳大扁瓶，其大小、雙如意耳均與本器相若，惟置蒜頭口，該器曾於香港中文大學2007年舉辦《機暇清賞—懷海堂藏清代御窯瓷罐》展覽中展出，圖錄圖版31號。

此器源自民國總統徐世昌（1855-1939年），後傳給家族中人。徐世昌祖籍浙江鄞縣，河南出生，直隸天津人。他於1886年考獲進士，初任職翰林院，後屢獲擢升，官至東三省總督。中華民國成立後，他於1918至1922年在北京擔任總統。離官後退隱天津，寄情於詩、書、畫藝。

來源
Collection of Xu Shichang (1855-1939), and thence by descent

拍品專文
Xu Shichang was a key political figure in the history of early modern China. He passed the civil examinations and became a jinshi in 1886. Xu was appointed a position at the Hanlin Academy of the Qing government before being promoted to Governor of the Three Northeast Provinces. Later Xu became President of the Republic of China (Beijing government) from 1918 to 1922 but after retiring from office he lived in Tianjin where he focused on the scholarly pursuits of painting, calligraphy and poetry.

The elegant form of the current vase was greatly influenced by early Ming blue and white moonflasks such as the two examples in the collection of the National Palace Musuem, Taipei, illustrated in Blue-and-White Ware of the Ming Dynasty, Hong Kong, 1963, Book II, Part 1, pp. 38-41, pls. 9-10c. Yongzheng vases of this form and large size are very rare and the current vase stands out as an exceptional example of the Yongzheng adaptation of the Song dynasty Ru glaze. A very similar Ru-type glazed vase of this shape but slightly larger in size (57 cm.) was sold at Sotheby’s London, 12 July 2006, lot 131. A related Yongzheng Guan-type moonflask with an incurved garlic mouth (52.7 cm. high), was included in the exhibition Etheral Elegance: Porcelain Vases of the Imperial Qing, The Huaihaitang Collection, Chinese University of Hong Kong, 2007, pl. 31.

The Yongzheng Emperor appears to have had particular admiration of Ru wares, and a number of vessels from his reign were made with fine Ru-style glazes. It is possible that the copy of Song dynasty Ru ware glazes made for the Yongzheng Emperor was devised by the greatest of all the supervisors of the imperial kilns, Tang Ying, who first came to the kilns as resident assistant in 1728. Tang Ying was especially known for his highly successful imitation of early wares. Indeed the Jingdezhen tao lu notes that: ‘His close copies of famous wares of the past were without exception worthy partners (of the originals); and his copies of every kind of well-known glaze were without exception cleverly matched …’ translated by R. Kerr in Chinese Ceramics – Porcelain of the Qing Dynasty 1644-1911, London, 1986, p. 20.

編製圖錄及詳情
拍品前備註
ANOTHER PROPERTY

参考：佳士得
拍賣 2580
重要中國瓷器及工藝精品 (1及2)
紐約|2012年9月13日 – 14日
拍品1541|PROPERTY FROM A PRIVATE NEW YORK COLLECTION
清乾隆 天藍釉撇口瓶 六字篆書款
QIANLONG SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

成交總額 USD 43,750
估價 USD 30,000 – USD 50,000

拍品專文
Vases of this shape, with a subtly compressed body and an elegantly flaring, slender neck, were produced in the Qianlong reign in a variety of monochrome glazes. For a vase of similar shape covered in a crackled, pale lavender-blue glaze, from the Collection of J.P. Morgan, see S. Bushell and W. Laffan, Catalogue of the Morgan Collection of Chinese Porcelains, New York, 1907, no. M24; later included in the above exhibtion at Marchant & Son, London, no. 30, p. 44.

Another Qianlong-marked vase of this same, distinguished profile, covered in a flambé glaze, is illustrated by R. Krahl, in Chinese Ceramics from the Meiyintang Collection, Vol. IV (II), London, 2010, p. 367, no. 1812.

編製圖錄及詳情
拍品前備註

PROPERTY FROM A PRIVATE NEW YORK COLLECTION

参考：「胤禛的帝王品味」宫廷瓷器暨 （藏珍）
古代陶瓷艺术品专场
清乾隆 粉青釉如意耳弦纹盘口瓶

估价：20,000-50,000 RMB
成交价： 109,250 RMB （含买家佣金）
尺寸： 高19.8cm

拍品说明：
粉青釉最早创烧于南宋龙泉窑，粉润腻滑如雨后之天色，深受世人喜爱，至雍干时期，青釉烧制的工艺技术达到了历史上最成熟的阶段，使同类品种的釉色可以保持高度的一致。拍品造型隽美端秀，通体施粉青釉，釉面莹润，除颈部作双螭耳外，整器匀净一色，不假雕饰。器形线条优美，隽秀娴雅。匠师深谙釉色与造型的搭配之道，针对不同器型配以相应釉色，此等高雅之器与粉青釉相搭配，浑然天成。著名古董商蓝理捷的中国艺术品公司J.J.Lally&Co.收藏一件乾隆粉青釉弦纹凤耳瓶，釉色与造型与本品颇为一致，可为参阅。

参考： 佳士得
拍賣 8833
中國瓷器、工藝精品及紡織品
倫敦南肯辛頓|2013年5月17日
拍品1220
A LARGE RU-TYPE HEXAGONAL VASE QIANLONG UNDERGLAZE BLUE SIX-CHARACTER SEAL MARK AND OF THE PERIOD (1736-95)

成交總額 GBP 23,750
估價 GBP 10,000 – GBP 15,000

A LARGE RU-TYPE HEXAGONAL VASE
QIANLONG UNDERGLAZE BLUE SIX-CHARACTER SEAL MARK AND OF THE PERIOD (1736-95)
The baluster vase is of hexagonal section and is potted with an angular shoulder rising towards a tall neck with slightly flaring and thickly potted rim, all raised on a spreading hexagonal foot. The vase is covered to the exterior and the interior with a soft blue glaze.
27 1/8 in. (69 cm.) high

参考： 中贸圣佳
2015春季大型艺术品拍卖会
古董珍玩（二）藏珍
明晚期 石叟款嵌银铜方瓶

估价：140,000-160,000 RMB
未成交
尺寸： 高36cm

参考： 保利厦门2017秋季拍卖会
玄览—重要古董器物专场
清乾隆 仿官釉铺首四连橄榄瓶

估价：1,500,000-2,000,000 RMB
成交价： 4,600,000 RMB （含买家佣金）
尺寸： 高16.2cm

拍品说明：
著录《玫茵堂中国陶瓷》，康蕊君，伦敦，1994-2010年，卷4（Ⅱ），编号1795，342页，图1795 「乾隆年制」四字篆书款 连瓶之器形首创于雍正年间，盛兴于乾隆时期，然一众连瓶之中本件器形依然十分罕见。拍品由四支橄榄形小瓶联合而成，一瓶四口，故称「四连瓶」，四支小瓶形制一致，每支均撇口，束颈，溜肩，鼓腹至下渐收，束胫，至底微外撇。全器满施仿官釉，釉面莹润细腻，极富质感，四个朝外向瓶肩各附一如意形铺首衔环，其古朴风格与四连之新奇造型相伴相偕，于奇思妙构中见独特美感。观之意趣顿生，抚之冰肌如玉，工艺之精湛足可见得。底落「乾隆年制」四字篆书款，古雅非常。本品落款方式殊为特殊，于四个瓶底各书一字，此类款识在其他雍正圆形四连瓶上亦可见得。如北京故宫博物院现藏一例仿官釉者，著录于《故宫博物院藏清代御窑瓷器》，耿宝昌，北京，2005年，图版149。另有一粉青釉例，亦藏于北京故宫博物院，著录于《明清瓷器鉴定》，耿宝昌，香港，1993年，图版398。此外还有一件同器形仿汝釉者，藏于台北故宫博物院，著录于《故宫青瓷图录——康熙窑・雍正窑》，东京，1980年，图版128。同时胡惠春旧藏也有一件粉青釉例，售于纽约苏富比1985年6月4日，编号40。同器形有一施天蓝釉者于1989年11月14日售于香港苏富比，编号179。以上多例落款方式与拍品类似，均可资比较。此件四连瓶原为玫茵堂旧藏，来源清晰，传承有序，为不可多得的乾隆连瓶精品。来源玫茵堂旧藏香港苏富比，2000年10月30日，Lot.132香港苏富比，2012年4月4日，Lot.12