大清雍正款 珐琅彩/粉彩矾红莲花瓣纹观音瓶橄榄瓶尊

Description

大清雍正款 珐琅彩粉彩矾红彩莲花瓣纹观音瓶 橄榄瓶橄榄瓶尊

参考：苏富比
Important Chinese Art including Imperial Jades from the De An Tang Collection
13 October 2021 • 10:00 HKT • Hong Kong
3656
A superbly enamelled and possibly unique famille-rose ‘peach’ box and cover, Mark and period of Yongzheng
清雍正 粉彩蟠桃獻壽圖圓蓋盒 《大清雍正年製》款

Premium Lots

Estimate: 35,000,000 – 45,000,000 HKD
Lot sold: 34,660,000 HKD

Description
Property of a Gentleman
A superbly enamelled and possibly unique famille-rose ‘peach’ box and cover
Mark and period of Yongzheng
士紳珍藏

清雍正 粉彩蟠桃獻壽圖圓蓋盒 《大清雍正年製》款

singularly beautiful, of thickly potted circular section and compressed rounded form, the cover sumptuously decorated with a large medallion of two varieties of peach, their branches entwined and bearing eight large brightly coloured fruits, small five-petalled rose-pink blossoms and double white ones, and leaves in several tones of green, the box painted with a skirt of lotus petals shaded in tones of rose pink to greenish yellow with crimson-pink veins, the base inscribed with a six-character mark within a double circle

19.2 cm

盒扁圓形，圓頂，圈足微斂，釉面光潔泛青，飾以粉彩，盒蓋上作蟠桃獻壽圖紋，桃枝花葉環擁八嫣紅壽桃瑞果，五瓣粉桃花，重瓣白桃花，點綴其間，黃彩點花蕊，盒底作蓮瓣紋，底青花雙圈書「大清雍正年製」六字雙行楷書款。

Condition Report
The box and cover are in excellent condition with the enamels very well preserved. There is a shallow approx. 2.5 cm retouched flake, with associated superficial hairlines and overpaint, to the inner lip of the box, which is likely a structural flaw from the firing, opposite a natural glaze gap, neither of which is visible on the exterior.
整體品相非常好，粉彩亦保存完好。盒之內唇沿有一約2.5公分小片剝落，外沿表面相應位置見相關之短沖線，或為窰燒過程導致的瑕疵，現已補釉。器內另外一面唇與盒相接處，有一細小縮釉。兩處瑕疵均未影響整體外觀。

Provenance
Collection of Frederick J. and Antoinette H. Van Slyke.
Sotheby’s New York, 31st May 1989, lot 211.
The Meiyintang Collection.
Sotheby’s Hong Kong, 7th April 2013, lot 3036.
Frederick J. and Antoinette H. Van Slyke 伉儷收藏
紐約蘇富比1989年5月31日，編號211
玫茵堂收藏
香港蘇富比2013年4月7日，編號3036

Literature
Regina Krahl, Chinese Ceramics from the Meiyintang Collection, London, 1994-2010, vol. 2, no. 961, and vol. 4, p. 285.
康蕊君，《玫茵堂中國陶瓷》，倫敦，1994-2010年，卷2，編號961，以及卷4，頁285

Exhibited
Chinese Ceramics from the Meiyintang Collection, The British Museum, London, 1994.

Evolution to Perfection. Chinese Ceramics from the Meiyintang Collection/Evolution vers la perfection. Céramiques de Chine de la Collection Meiyintang, Sporting d’Hiver, Monte Carlo, 1996, cat. no. 184.
《Chinese Ceramics from the Meiyintang Collection》，大英博物館，倫敦，1994年
《Evolution to Perfection. Chinese Ceramics from the Meiyintang Collection》，Sporting d’Hiver，蒙地卡羅，1996年，編號184

Catalogue Note

Eight Peaches for the Yongzheng Emperor
Regina Krahl

The Yongzheng Emperor (r. 1723-35) was a strong believer in portents of good fortune. Having ascended the throne under somewhat nebulous circumstances, the legality of his succession was persistently questioned, which made him more than any other Qing emperor receptive for auspicious symbolism. Court artists such as the Italian painter Giuseppe Castiglione (AD 1688-1766) presented him with paintings heralding good fortune, court artisans fashioned wish-granting ruyi sceptres in many different materials, and the emperor surrounded himself with portents of good luck.

Peaches are perhaps China’s most auspicious fruit, having a long tradition as omens of longevity and harbingers of happiness, eight is a propitious number, and flowering peach branches are believed to ward off evil. Tao Qian (365-427) tells of a fisherman, who when following the source of a stream in a peach orchard – ‘Peach Blossom Spring’ – through a crevice in a rock, discovered a paradisiacal world. A peach orchard is also the setting for the oath of brotherhood sworn by the three main protagonists of the novel Romance of the Three Kingdoms. The peaches of immortality which are said to grow in the garden of Xi Wang Mu, the Queen Mother of the West, which flower only once every three thousand years and to take as long again for their fruit to ripen, are then offered in a banquet to the immortals. Dongfang Shuo, a witty and clever Han dynasty scholar (2nd/1st century BC), who became the hero of many legends is reported to have stolen peaches of immortality and thus to have become immortal. And the same feat is told of the scheming monkey Sun Wukong, hero of the novel Journey to the West, who accompanied the monk Xuanzang on his trip to India to obtain Buddhist sutras.

The Yongzheng Emperor was clearly attached to these stories, as he had himself painted as the recipient of such good luck in an album leaf that shows him in possession of a peach of immortality, possibly handed to him by a monkey hanging from a nearby tree (fig. 1). It is not surprising therefore that in the Yongzheng period the peach motif became one of the favourite motifs on porcelain.

A fruiting and flowering peach tree had in the Kangxi period already been used once in the imperial Enamelling Workshops of the Forbidden City to decorate a metal-bodied vase that remains in the Beijing palace collection (fig. 2). The transfer of the motif onto porcelain probably took place under the auspices of Tang Ying (AD 1682-1756), the Yongzheng Emperor’s trusted official who, after a spell in charge of the falangcai workshops at Beijing, was in 1726 sent to Jingdezhen to supervise the porcelain production there. The soft colouration of fruiting and flowering peach branches were a design tailor-made to show off the new fencai (famille rose) palette, which had just been introduced to Jingdezhen in the years preceding the Yongzheng reign. Its wide range of pastel shades from a fresh green over an opaque white to a pale rosé tone and eventually a deep pink was never otherwise displayed more impressively.

No other box of this peach design appears to be known and the rendering of its blossoms and fruits is of particularly high quality, done with great care and much colour variation. The box most likely represents an early product of the Yongzheng reign, done before the pattern became standardized to appear on the well-known vases of tianqiuping shape, bowls and smaller dishes, which have remained popular well into the Qianlong period. In its execution it may be compared to some other unique Yongzheng peach vessels, such as the famous vase from the collection of the Hon. Ogden R. Reid now in the Shanghai Museum, sold in these rooms, 7th May 2002, lot 532 (fig. 3); or a large and unusually painted Yongzheng peach dish from J. Pierpont Morgan, later also in the Van Slyke collection together with the present box, sold in these rooms 29th April 1997, lot 400 (fig. 4).

An early Yongzheng date for the present box is also suggested by the most unusual design of lotus petals on the lower part, which was equally adapted from copper-bodied enamel ware made in the Forbidden City’s falangcai workshops. It appears first on a bowl and stand (fig. 5), and on a covered bowl of the late Kangxi period, both remaining in the Beijing palace collection. This petal design was otherwise rarely used on imperial porcelains, but was taken up again in the Qianlong period on fine fencai gourd flasks with butterflies and flowers, an example of which is also in the Meiyintang collection (Krahl, op.cit., vol. 2, no. 962).

Imperial porcelain boxes with fencai designs of any kind are extremely rare. Only two others have been sold at auction, both of similar domed shape and size, but with the Yongzheng reign mark arranged in three vertical lines: one also from the Van Slyke and later the Goldschmidt and Robert Chang collections, with a bird, magnolia branch and peonies, was sold in our New York rooms, 31st May 1989, lot 210; in these rooms, 13th November 1990, lot 43, and at Christie’s Hong Kong, 2nd November 1999, lot 519; the other from the T.Y. Chao collection, with butterflies, hibiscus and morning glories, was sold in these rooms 18th November 1986, lot 129.

Frederick J. Van Slyke (died 1968) of Baltimore, Maryland, assembled a fabled collection of Chinese as well as European porcelains, of which some pieces are in the Walters Art Museum, Baltimore, and some in the Baltimore Museum of Art.

八桃獻雍正
康蕊君

雍正皇帝奪嫡即位，朝野眾說紛紜，胤禛因此較歷代清帝更篤信祥瑞之說，常近禎祺之象，以辟謠傳。宮廷畫師如郎世寧（1688-1766年）等遂為天子繪祥瑞圖畫，藝匠則以不同材質巧製如意，寄語稱心如意，以悅君心。

自古伊始，桃乃吉祥長壽之徵，桃枝又能辟邪；而八則為吉利之數。史上有不少與桃相關的典故。陶潛（365-427）在《桃花源》序中述，一名漁人沿溪前行，入桃花林，通山中小洞，達世外仙境。《三國演義》中，劉備、關羽與張飛三英雄，於桃園結義。傳說西王母種有仙桃，「三千陽春始一花」，果實要待三千年才成熟，用以宴請眾仙。西漢有傳奇文人東方朔，機智詼諧，據說曾盜桃，吃而成仙。《西遊記》中，機靈的孫悟空也曾盜蟠桃，後受罰隨唐僧玄奘遠到印度取佛經。

《胤禛行樂圖‧東方朔偷桃》冊頁，繪雍正手執仙桃，似為靈猴剛從樹上摘下進獻（圖一）。世宗定必對這些典故瞭如指掌，因此雍正一朝，壽桃成御瓷常見紋飾之一，也屬意料中事。

早於康熙之時，清宮琺瑯作已有繪蟠桃花果之器，見故宮舊藏銅胎畫琺瑯桃蝠紋小瓶，器身繪桃樹，飾桃花果實（圖二）。瓷胎繪圖之作，或由雍正寵臣唐英（1682-1756）監督。唐英先事於北京清宮琺瑯作，1726 年被調往景德鎮，監督御瓷製作。本器上繪桃枝花果，展示新創粉彩，渲染淡雅。康熙晚期，景德鎮始創粉彩，顏色多樣，淡綠柔和，桃紅清雅，其黛紫之艷，更是前所未見。

此蓋盒上繪蟠桃瑞果，花繁葉茂，枝幹蜿蜒。敷彩濃淡有致，描繪入微，如此精緻之品，獨一無二。本蓋盒應繪於雍正初年，因此圖飾較流暢奔放。及後蟠桃紋飾漸趨形式化，屢見粉彩蟠桃天球瓶、盌、小盤等器，至乾隆年間仍續繪製。除本品外，尚有其他雍正瓷器，巧繪蟠桃紋，可資比對，如著名的粉彩蝠桃福壽紋橄欖瓶，乃 Hon Ogden R. Reid 舊藏，售於香港蘇富比2002年5月7日，編號532，現藏於上海博物館（圖三）；J. Pierpont Morgan 舊藏雍正繪蟠桃紋大盤，描繪細膩，後與本品一樣收歸 Van Slyke 氏典藏，該器再售於香港蘇富比1997年4月29日，編號400（圖四）。

盒身下方繪蓮瓣紋，似與造辦處琺瑯作產製的銅胎琺瑯器同出一徹，屬雍正早期圖飾，極為罕見。蓮瓣紋飾似乎首見於清康熙銅胎畫琺瑯蓮花式盌（圖五），及另一件製於康熙晚期的蓋盌，均藏於北京故宮博物院。除本品外，蓮瓣紋鮮見於雍正御製瓷器。及至乾隆一朝，有粉彩花蝶紋葫蘆瓶，上飾相類蓮瓣紋，例子可見於玫茵堂藏器，參考康蕊君，《玫茵堂中國陶瓷》，倫敦，1994-2010年，卷2，編號962。

御製粉彩蓋盒，珍罕至極。拍賣市場迄今只見二例，器形大小均與本品相仿，蓋拱頂，惟年款分三行書：其中一個蓋盒繪鳥，並飾辛夷牡丹，同為 Van Slyke 氏舊藏，售於紐約蘇富比1989年5月31日，編號210，後屬 Goldschmidt 藏品，售於香港蘇富比1990年11月13日，編號43，曾由張宗憲珍藏，再售於香港佳士得1999年11月2日，編號519；另一個粉彩蓋盒則屬趙從衍舊藏，器上繪芙蓉牽牛，彩蝶翩翩，售於香港蘇富比1986年11月18日，編號129。

Frederick J. Van Slyke（1968年卒），居美國馬里蘭州巴爾的摩，典藏中國及歐洲瓷器，傳誦一時，部份藏品現收於巴爾的摩華特斯美術館，以及巴爾的摩藝術博物館。

参考：香港蘇富比拍卖有限公司
1995年秋季拍卖会
中国陶瓷、工艺品及玉器雕刻
LOT号： 0524 清乾隆 粉彩莲纹盌

拍品信息
尺寸 14.8cm
估价 HKD 　80,000-100,000
成交价 流拍
拍卖时间 1995-10-31

参考：苏富比 3140
馬錢特 – 清代御瓷五十選粹
清光緒 粉彩蓮花蓋盌一對 《大清光緒年製》款

500,000 — 700,000港幣

拍品詳情
清光緒 粉彩蓮花蓋盌一對 《大清光緒年製》款
11.7 公分，4 5/8 英寸

狀況報告
整體品相良好，惟見細小窰燒瑕疵及器面輕微磨痕，實屬正常。

來源
瑪莉及威廉．斯克蘭頓（1917-2013年）伉儷收藏

前往
馬錢特 – 清代御瓷五十選粹
2020年7月11日 | 上午 11:00 HKT
香港

参考：苏富比 771
中國藝術品
清道光 粉彩蓮紋湯匙一對 《慎德堂製》款

20,000 — 30,000港幣
拍品已售 262,500 港幣 成交價 (含買家佣金)

拍品詳情
清道光 粉彩蓮紋湯匙一對 《慎德堂製》款
18.2 公分, 7 1/8 英寸

狀況報告
整體品相良好。

中國藝術品
2019年5月30日 – 2019年5月31日 | 上午 10:30 HKT
香港

参考：苏富比 716
中國藝術品
清十九世紀 粉彩蓮花蓋盌
《慎德堂製》款

30,000 — 50,000港幣
拍品已售 187,500 港幣 成交價 (含買家佣金)

拍品詳情
清十九世紀 粉彩蓮花蓋盌
《慎德堂製》款

10.7 公分，4 1/4 英寸

中國藝術品
2017年6月1日 – 2017年6月2日 | 下午 2:00 HKT
香港

参考： 苏富比 3618
中國藝術珍品
清嘉慶 紫地粉彩群芳福壽尊一對
《大清嘉慶年製》款

2,500,000 — 3,000,000港幣
拍品已售 11,480,000 港幣 成交價 (含買家佣金)

拍品詳情
清嘉慶 紫地粉彩群芳福壽尊一對
《大清嘉慶年製》款
31.5 公分，12 3/8 英寸

狀況報告
整體品相良好，僅一瓶下方釉面偶見片紋。釉彩整體保存甚佳。

來源
傳日本私人收藏
香港佳士得2004年4月26日，編號911

相關資料
此對紫地粉彩群芳福壽尊，典雅端秀，屬嘉慶早期景德鎮御窰廠佳作，可見前朝乾隆窰風格，應出自同一批匠師之手。器身繪群芳爭麗，嬌艷動人，風格細緻宛似工筆繪畫，上下紫地綴纏枝蓮紋則如畫軸裱緞，紋飾連綿不絕仿若長軸畫卷。

相同紋飾器形瓷尊少見，然可比較一對尺寸略大，淡青地粉彩花石紋雙龍耳尊，瓶肩轉折類同此例，花石紋構圖亦相近，錄於《香港蘇富比三十週年》，香港，2003年，圖版363，香港蘇富比2001年10月29日售出，編號611，後於2007年5月29日售於香港佳士得，編號1378。參考 Richard Feetham 舊藏二件瓷尊，花卉紋與此近似，皆售於香港蘇富比，一為2002年10月30日，編號269，另一件於2008年4月11日售出，編號2851。

道光窰續作此類花卉紋，參考清宮舊藏一件道光紫地粉彩花卉紋螭耳瓶，現藏北京故宮博物院，刊載於《故宮博物院藏文物珍品全集．琺瑯彩．粉彩》，香港，1999年，圖版193；Weishaupt 珍藏亦有一件，書「慎德堂製」款，錄於 Gunhild Avitabile，《From the Dragon’s Treasure》，倫敦，1987年，圖版53。

中國藝術珍品
2016年10月5日 | 下午 2:30 HKT
香港

参考： 北京保利2018秋季拍卖会
中国古董珍玩Ⅰ—元明清瓷器
5677 清道光 料彩莲瓣纹盖碗

料彩莲瓣纹盖碗
拍品信息
尺寸 直径10.8cm
创作年代 清道光
估价 50,000-80,000
成交价 RMB 69,000

“大清道光年制”款

参考：佳士得
拍賣 2659
中國出口藝術品
紐約|2012年1月23日
拍品373 清 荷花纹水丞 对
A PAIR OF CHINESE EXPORT LOTUS-FORM WATERPOTS
19TH CENTURY

成交總額 USD 3,500
估價 USD 1,200 – USD 1,800

A PAIR OF CHINESE EXPORT LOTUS-FORM WATERPOTS
19TH CENTURY
Each molded and enameled as a lotus, its underside as a lily-pad
4 3/8 in. (11 cm.) wide (2)

参考：佳士得
拍賣 2726中國瓷器及工藝精品
紐約|2013年9月19日 – 20日
拍品1417|VARIOUS PROPERTIES
清乾隆 粉彩蓮瓣紋盤 六字篆書款
QIANLONG SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD 1736-1795)

成交總額 USD 4,000
估價 USD 5,000 – USD 7,000

参考：纽约大都会博物馆
清 珐琅彩荷叶杯
Cup, Porcelain with relief decoration, painted in overglaze polychrome enamels, China
late 18th–first half of the 19th century
China

Object Details
Period:Qing dynasty (1644–1911)
Date:late 18th–first half of the 19th century
Culture:China
Medium:Porcelain with relief decoration, painted in overglaze polychrome enamels
Dimensions:H. 1 3/4 in. (4.4 cm); Diam. 2 3/4 in. (7 cm)
Classification:Ceramics
Credit Line:Purchase by subscription, 1879
Accession Number:79.2.759
Provenance
Samuel Putnam Avery Sr. American, New York (until 1879)
Timeline of Art History
Timelines
Central and North Asia, 1600-1800 A.D.
Central and North Asia, 1800-1900 A.D.
China, 1600-1800 A.D.
China, 1800-1900 A.D.

参考：
2013春季艺术品拍卖会
中国古董珍玩专场
249 清道光 胭脂红莲子碗 （一对）

估价 RMB：1,200,000-1,500,000
成交价 RMB：1,840,000
尺寸(CM)：D 10.7 cm
说明：
碗敞口，深腹，圈足，配覆盘形盖，盖有宝珠形钮。全器以粉彩敷彩，碗身自下而上绘三重莲瓣，花萼嫩黄，纹路清晰，愈到花尖颜色愈深，至瓣尖呈娇艳的胭脂红色，娇美醉人。口沿处及底棱描金。碗底书青花六字篆书款“大清道光年制”。碗盖亦绘胭脂红莲瓣，下有碧绿的花萼承托，轻盈可人。顶上宝珠钮涂金，富丽璀璨。碗盖相合，如荷苞欲绽，鲜活饱满。荷花花朵艳丽，清香远溢，碧叶翠盖，十分高雅。

参考：蘇富比 拍卖结果
香港苏富比2016年秋季拍卖会
中國藝術珍品
3603 清乾隆 粉彩蓮花盌
《大清乾隆年製》款

估價 800,000 — 1,000,000 港幣
拍品已售 1,562,500 港幣 成交價 (含買家佣金)

拍品詳情
中國藝術珍品
2016年10月5日 | 下午 2:30 HKT
香港

清乾隆 粉彩蓮花盌
《大清乾隆年製》款
14.8 公分，5 7/8 英寸

狀況報告
整體品相良好，僅描金與粉彩有常見之輕微摩損。

來源
香港蘇富比1995年10月31日，編號524

相關資料

蓮花盌形制首見於康熙時期金屬作例，通體作盛放蓮花，嬌豔繽紛，參考台北故宮博物院藏一件康熙御製畫琺瑯蓋盌，錄於《清代畫琺瑯特展目錄》，台北，1979年，編號128；北京故宮博物院藏另一例，帶原座，載於《故宮博物院藏品大系．琺瑯器編．清畫琺瑯》，卷5，北京，2011年，圖版25。

一件近類瓷盌售於紐約佳士得1995年3月23日，編號400；望星樓珍藏一件蓋盌，略小，刊於《清代康雍乾官窰瓷器．望星樓藏瓷》，香港，2004年，圖版59，可能出自香港蘇富比1988年11月16日，編號386。並參考一對乾隆窰蓮花式瓷盤，1978年11月29日，編號309。

粉彩蓮花盌續作至晚清，如一對道光蓮花盌，載於汪慶正，《胡惠春先生王華雲女士捐贈瓷器精品選》，上海，1989年，圖版93；養志堂藏一件光緒窰作例，錄於《關氏所藏晚清官窰瓷器》，香港中文大學文物館，1983年，編號138，售於新加坡佳士得1997年3月30日，編號283，後於2006年5月30日售於香港佳士得，編號1457。

拍品说明：
来源： 香港苏富比1995年10月31日，编号524

参考：
SALE 11928 Fine Chinese Ceramics & Works of Art part II
New York|17 – 18 March 2016
LOT 1643
A FINE AND VERY RARE FAMILLE ROSE BOWL AND COVER
DAOGUANG SIX CHARACTER SEAL-MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1821-1850)

Price realised USD 56,250
Estimate USD 40,000 – USD 60,000

A FINE AND VERY RARE FAMILLE ROSE BOWL AND COVER
DAOGUANG SIX CHARACTER SEAL-MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1821-1850)
The bowl is finely enameled with three bands of overlapping lotus petals between the green band encircling the foot in imitation of the lotus stem and a band of stamens at the rim. The domed cover is painted en suite with petals overlapping leaves below a seed pod surmounted by a gilded finial.
4 ¼ in. (10.8 cm.) diam.

Lot Essay
Compare the present bowl and cover with an almost identical example from the Lai Family Collection, sold at Christie’s New York, 17 September 2015, lot 913. See, also, a very similar bowl and cover, but with Guangxu mark, illustrated in Imperial Porcelain of Late Qing from the Kwan Collection, Art Gallery, The Chinese University of Hong Kong, 13 August – 25 September 1983, p. 131, no. 137.

Other information
Pre-Lot Text
THE PROPERTY OF A GENTLEMAN

参考：2016年夏季拍卖会
重要中国陶瓷及工艺品专场
187清乾隆黄地洋彩折枝宝相花莲瓣纹荸荠瓶

估价 RMB：无底价
成交价 RMB：48,300
尺寸(CM)：H 16.5
作者/年代：清乾隆
质地/形式：钤印/款识：“大清乾隆年制”六字三行篆书款

參考：佳士得
2013 | 現場拍賣 2726
中國瓷器及工藝精品
拍品 1386
A RARE CELADON-GLAZED LOTUS PETAL-CARVED BOTTLE VASE
清乾隆 冬青釉蓮瓣紋長頸瓶 六字篆書款
QIANLONG SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

LOT 1386 A RARE CELADON-GLAZED LOTUS PETAL-CARVED BOTTLE VASE
QIANLONG SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)
Price realised USD 105,750
Estimate USD 60,000 – USD 80,000

A RARE CELADON-GLAZED LOTUS PETAL-CARVED BOTTLE VASE
QIANLONG SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)
The elegantly proportioned body is finely carved with rows of overlapping lotus petals that extend from the mouth rim to just above the slightly waisted shallow foot, and is covered all over with a glaze of soft blue-green color. The unglazed foot is covered with a brown dressing.
18 7/8 in. (48 cm.) high, wood stand

Provenance
Imperial Oriental Art, New York, December 2002.
Lot Essay
A very similar Qianlong-marked vase, of the same design but slightly smaller in size (47 cm. high), was sold at Sotheby’s Hong Kong, 29 October 1991, lot 103.

狀況報告
We have sought to record changes in the condition of this piece acquired after its initial manufacture.
There is a small area of light abrasion on the mouth rim. The vase is in overall good condition.

参考：LOT 293 A LARGE LOTUS PUNCHBOWL
CIRCA 1750

Price realised USD 4,750

Estimate USD 6,000 – USD 9,000

A LARGE LOTUS PUNCHBOWL
CIRCA 1750
The interior with a lotus pond in gilt
15 ¾ in. (40 cm.) diameter

Pre-Lot Text
THE POPOWICH COLLECTION OF CHINESE EXPORT PORCELAIN

Over the course of four decades, Lorraine and David Popowich assembled a magnificent and multi-faceted collection of Chinese export porcelain. Meticulous about condition and quality, the Popowiches acquired top examples of all the major categories in the field, from famille verte to Canton famille rose, armorial to European subject and figures to Western shapes. Perhaps most astounding of all is their assemblage of more than two dozen rare snuff boxes. With a shared love of travel as well as business interests in both Europe and China, the Popowiches sought out the top dealers and the best antique fairs. David grew a small family business into an international brand. Lorraine studied under Violette de Mazia at the Barnes Foundation, was a founding board member of the National Museum of American Jewish History and a board member of the Philadelphia Orchestra. Together they raised three children. In their gracious Philadelphia home overlooking leafy Rittenhouse Square, the outstanding Popowich Chinese export was accompanied by collections of carnival glass, mid-century cookie jars, treen and crocodile articles, and American paintings – all reflecting shared decades of happy pursuit.

参考：香港蘇富比拍卖有限公司
2016-10-05 2016秋季拍卖会
中国艺术珍品
3603 清乾隆 粉彩莲花碗

拍品信息
尺寸 14.8cm
估价 HKD 800,000-1,000,000
成交价 RMB 1,343,750 HKD 　1,562,500USD 　200,000EUR 　156,250

《大清乾隆年制》款

来源：
香港苏富比1995年10月31日，编号524

莲花碗形制首见于康熙时期金属作例，通体作盛放莲花，娇艳缤纷，参考台北故宫博物院藏 一件康熙御制昼珐琅盖碗，录于《清代画珐琅特展目录》，台北，1979年，编号128 ；北京故宫博物院藏另一例，带原座，载于《故宫博物院藏品大系·珐琅器编·清画珐琅》，卷5 ，北京，2011年，图版25。

一件近类瓷碗售于纽约佳士得1995年3月23 日，编号400 ；望星楼珍藏一件盖碗，略小， 刊于《清代康雍乾官窑瓷器·望星楼藏瓷》 ，香港，2004年，图版59，可能出自香港苏富比1988年11月16日，编号386。并参考一对乾隆窑莲花式瓷盘，1978年11月29日，编号309。

粉彩建花碗续作至晚清，如一对道光建花碗， 载于汪庆正，《胡惠春先生王华云女士捐赠瓷器精品选》，上海，1989年，图版93 ：养志堂藏一件光绪窑作例，录于《关氏所藏晚清官窑瓷器》，香港中文大学文物馆，1983年，编号138 ，售于新加坡佳士得1997年3月30 日，编号283，后于2006年5月30日售于香港佳士得，编号1457。

参考：犹珍12专场
2012-9-18
图录编号：52 清道光 粉彩莲瓣纹盘

47.8 cm. Diam.
估价： RMB 120,000-180,000
成交价： RMB 184,000

参考：敬华（上海）拍卖股份有限公司
2003年春季艺术品拍卖会 2003-08-24
瓷器、玉器、工艺品
0893 清乾隆 粉彩莲花碗

拍品信息
尺寸 直径14.6cm
估价 RMB 　45,000-55,000
成交价 RMB 　63,800HKD 　60,189USD 　7,705EUR 　7,308
款识：“大清乾隆年制”六字篆体印章款
说明
说明：弧壁，撇口，圈足；碗口沿和足沿描金，碗外壁绘重叠的莲花瓣，荷叶饱满，色彩丰富鲜艳，底书“大清乾隆年制”六字篆体印章款
口小修

参考：北京保利国际拍卖有限公司
2007-06-02 2007春季拍卖会
古董珍玩（一）
2150 清道光 粉彩莲花盖碗

拍品信息
尺寸 直径13.5cm
估价 RMB 　200,000-300,000
成交价 流拍

“大清道光年制”六字三行篆书款
说明
说明：此盖碗整器描绘粉红的莲花瓣纹，上下各三层。其设计源于康熙铜胎画珐琅器物，为官窑精细之作。亦有道光青花款品种传世，为罕见之官窑茶具。