大清雍正款 蓝釉堆白蝙蝠祥云紋天球瓶

Description

大清雍正款 蓝釉堆白蝙蝠祥云紋天球瓶 （百福）蝠雲（福雲）

参考：纽约大都会博物馆 清 珊瑚红釉蝙蝠纹茶杯 Cup (from a set of eight)Cup (from a set of eight), Porcelain with iron-red glaze, painted in overglaze polychrome enamels, China

Object Details
Period:Qing dynasty (1644–1911)
Culture:China
Medium:Porcelain with iron-red glaze, painted in overglaze polychrome enamels
Dimensions:H. 3/4 in. (1.9 cm); Diam. 2 in. (5.1 cm)
Classification:Ceramics
Credit Line:Purchase by subscription, 1879
Accession Number:79.2.1284
Provenance
Samuel Putnam Avery Sr. American, New York (until 1879)
Timeline of Art History
Timelines
Central and North Asia, 1600-1800 A.D.
Central and North Asia, 1900 A.D.-present
China, 1600-1800 A.D.
China, 1900 A.D.-present

参考：纽约大都会博物馆 蓝釉 堆塑云蝠竹耳花瓶 Vase, Joseph-Théodore Deck (French, Guebwiller, Alsace 1823–1891 Paris), Earthenware, French
Vase,
ca. 1890
Joseph-Théodore Deck

This spectacular vase was made by Théodore Deck, the most esteemed ceramic artist in France in the late nineteenth century. Deck was famous for the glazes that he developed, especially a rich turquoise blue that became known in French as “bleu de Deck.” Deck used this particular glaze to highlight the applied branches, peaches, and bats that decorate this vase, as well as for the stylized Chinese character that symbolizes longevity. The peach is also regarded as a symbol of longevity in China, reinforcing the auspicious message of the character above. The significance of these motifs may not have been evident to a European buyer, but the form of the vase would have indicated its Chinese inspiration.

On view at The Met Fifth Avenue in Gallery 556

Object Details
Maker:Joseph-Théodore Deck (French, Guebwiller, Alsace 1823–1891 Paris)
Date:ca. 1890
Culture:French
Medium:Earthenware
Dimensions:Overall (confirmed): 19 1/16 × 13 3/4 × 10 in. (48.4 × 34.9 × 25.4 cm)
Classification:Ceramics-Pottery
Credit Line:Gift of Hubert des Forges and Oscar E. Moore, 2016
Accession Number:2016.74
Signatures, Inscriptions, and Markings
Marking: Stamped on underside of base: TH DECK
Provenance
Hubert des Forges ; and Oscar Moore , New York (until 2016; to MMA)

参考：纽约大都会博物馆 清 藍地白花瓶花清玩圖瓶 景德鎮窯 Vase with Scholar’s Objects
19th century
China

Object Details
Period:Qing dynasty (1644–1911)
Date:19th century
Culture:China
Medium:Porcelain with blue glaze and raised decoration (Jingdezhen ware)
Dimensions:H. 9 1/4 in. (23.5 cm)
Classification:Ceramics
Credit Line:Purchase by subscription, 1879
Accession Number:79.2.344
Provenance
Samuel Putnam Avery Sr. American, New York (until 1879)
Exhibition History
New York. The Metropolitan Museum of Art. “Painting with Thread: Chinese Tapestry and Embroidery, 12th–19th Century,” October 25, 2014–August 9, 2015.

Timeline of Art History
Timelines
Central and North Asia, 1800-1900 A.D.
China, 1800-1900 A.D.

清常丰轩珍玩器天蓝釉雕刻蝙蝠祥云小天球瓶

作者职称及类别: 民间艺人
窑系: 景德镇窑
工艺: 蓝釉瓷
年代: 清
品相: 十品
【产地】：中国·景德镇
【材质】：陶瓷
【规格尺寸】：高17.5厘米 口径3.5厘米 肚经10厘米 胎角5厘米

景德镇文革厂货瓷器/蓝单色釉雕刻堆白百福（蝙蝠）花瓶/天球瓶
规格：高34.5公分，口径7公分，底径11公分。以上一口价是一个的价格。

景德镇老国营瓷厂计划经济时期（即上世纪80-90年代）的外销瓷。

景德镇老国营“十大瓷厂”烧制的瓷器绝大多数是用煤窑烧成的，少数沿用古代的以松柴作燃料的柴窑。从上世纪90年代开始，这些非环保高耗能的窑炉已陆续被环保节能型窑炉所取代，现在窑炉所烧制的陶瓷与当年煤窑或柴窑所烧制的陶瓷韵味有明显的不同，特别是煤窑自上世纪50年代末逐步推广到90年代全部停烧，其烧制过程不到40年的时间，若比景德镇千年槎窑、柴窑的悠久历史，那只是短暂的时光，是景德镇千年陶瓷发展历史长河中不可复制的、值得大书特书的断代史。40年间“十大瓷厂”聚集了数万陶瓷产业工人，在“抓革命、促生产”的标语、口号鼓舞下，创造了景瓷的辉煌，平均每年以不到2圆的换汇成本，换回了数以千万美元国家急需的外汇，为国内老百姓生产提供了大量的内销瓷、少数民族用瓷，承担了大量国礼瓷、中南海用瓷、毛主席用瓷、林彪用瓷等的研究与生产。如今景德镇已被国家列为资源枯竭型城市，国营“十大瓷厂”在上世纪90年代由计划经济向市场经济转型过程中，陆续改制解体，“十大瓷厂”生产的瓷器正逐步进入收藏品市场，其烧制的精品瓷器更是纳入众多藏家的搜寻目标，价格逐年攀升，有的精品更是在各大公司的拍卖会上屡屡创出百万余元的高价。

因为是老货，以手工为主，用的是七十年代的制造工艺和瓷土的配方，不能和现代的生产工艺与配方做出的瓷器相比较，宝贝均为实物拍摄，但不排除轻微的色差，请买家以实物为准。如买家对老瓷器有特殊要求，请与店主联系！