明 黑漆戗金松鹤图纹倭角 木胎大漆茶盘

明 描金松鹤图纹倭角大漆茶盘

Description

明 黑漆戗金/黑漆描金 松鹤图纹倭角大漆茶盘

參考:紐約大都會博物館 明 永樂 紅漆戧金 《佛名經》 夾經板 Sutra Covers with the Eight Buddhist Treasures, Red lacquer with incised decoration inlaid with gold , China

紐約大都會博物館 明 永樂 紅漆戧金 《佛名經》 夾經板 Sutra Covers with the Eight Buddhist Treasures, Red lacquer with incised decoration inlaid with gold , China
紐約大都會博物館 明 永樂 紅漆戧金 《佛名經》 夾經板 Sutra Covers with the Eight Buddhist Treasures, Red lacquer with incised decoration inlaid with gold , China
紐約大都會博物館 明 永樂 紅漆戧金 《佛名經》 夾經板 Sutra Covers with the Eight Buddhist Treasures, Red lacquer with incised decoration inlaid with gold , China
紐約大都會博物館 明 永樂 紅漆戧金 《佛名經》 夾經板 Sutra Covers with the Eight Buddhist Treasures, Red lacquer with incised decoration inlaid with gold , China
紐約大都會博物館 明 永樂 紅漆戧金 《佛名經》 夾經板 Sutra Covers with the Eight Buddhist Treasures, Red lacquer with incised decoration inlaid with gold , China
紐約大都會博物館 明 永樂 紅漆戧金 《佛名經》 夾經板 Sutra Covers with the Eight Buddhist Treasures, Red lacquer with incised decoration inlaid with gold , China

This pair of sutra covers was made for an edition of the Tibetan Buddhist canon produced in Beijing at the order of the emperor in 1410. A triple flaming jewel is flanked by four of the Eight Buddhist Treasures. Unlike Chinese texts, which were either in scroll or accordion-fold-book format, Tibetan texts were formatted as stacks of horizontal, loose-leaf sheets that would have fit between these covers.

On view at The Met Fifth Avenue in Gallery 213

Object Details
Period:Ming dynasty (1368–1644), Yongle period (1403–24)
Culture:China
Medium:Red lacquer with incised decoration inlaid with gold
Dimensions:L. 28 1/2 in. (72.4 cm); W. 10 1/2 in. (26.7 cm); H. of each cover 1 1/4 in. (3.2 cm)
Classification:Lacquer
Credit Line:Gift of Florence and Herbert Irving, 2015
Accession Number:2015.500.1.52a, b
Provenance
[ J. J. Lally & Co. , New York, until 1990; sold to Irving]; Florence and Herbert Irving , New York (1990–2015; donated to MMA)

Exhibition History
New York. The Metropolitan Museum of Art. “East Asian Lacquer from the Florence and Herbert Irving Collection,” November 22, 1991–February 23, 1992.

New York. The Metropolitan Museum of Art. “Irving Lacquers,” 1998–2000.

New York. The Metropolitan Museum of Art. “Defining Yongle, Imperial Art in Early Fifteenth-Century China,” April 1, 2005–July 10, 2005.

New York. The Metropolitan Museum of Art. “Chinese Lacquer,” July 18, 2005–November 14, 2005.

New York. The Metropolitan Museum of Art. “Asian Lacquer: Masterpieces from the Florence and Herbert Irving Collection,” November 3, 2007–May 11, 2008.

New York. The Metropolitan Museum of Art. “Cinnabar: The Chinese Art of Carved Lacquer,” August 6, 2009–February 21, 2010.

New York. The Metropolitan Museum of Art. “Sumptuous: East Asian Lacquer, 14th–20th Century,” October 25, 2014–August 9, 2015.

New York. Rubin Museum of Art. “Faith and Empire,” February 1–July 15, 2019.

Timeline of Art History
Timelines
Central and North Asia, 1400-1600 A.D.
China, 1400-1600 A.D.

參考:紐約大都會博物館 清乾隆 填漆戧金餘慶雲盤 Tray with fish chime, treasures, and clouds, Polychrome lacquer with filled-in and engraved gold decoration, China

紐約大都會博物館 清乾隆 填漆戧金餘慶雲盤 Tray with fish chime, treasures, and clouds, Polychrome lacquer with filled-in and engraved gold decoration, China
紐約大都會博物館 清乾隆 填漆戧金餘慶雲盤 Tray with fish chime, treasures, and clouds, Polychrome lacquer with filled-in and engraved gold decoration, China
紐約大都會博物館 清乾隆 填漆戧金餘慶雲盤 Tray with fish chime, treasures, and clouds, Polychrome lacquer with filled-in and engraved gold decoration, China
紐約大都會博物館 清乾隆 填漆戧金餘慶雲盤 Tray with fish chime, treasures, and clouds, Polychrome lacquer with filled-in and engraved gold decoration, China
紐約大都會博物館 清乾隆 填漆戧金餘慶雲盤 Tray with fish chime, treasures, and clouds, Polychrome lacquer with filled-in and engraved gold decoration, China
紐約大都會博物館 清乾隆 填漆戧金餘慶雲盤 Tray with fish chime, treasures, and clouds, Polychrome lacquer with filled-in and engraved gold decoration, China

The two fish on this tray are suspended from a pendant in the shape of an ancient stone chime, which represents wishes for happiness and abundance (yuqing). The twin fish is also one of the eight Buddhist treasures—the other seven are arranged in the foreground: a wheel, conch shell, umbrella, parasol, flower, jar, and double knot. Shown with bats and clouds, these symbols convey auspicious wishes beyond religious meaning.

Inscription on back

Object Details
Period:Qing dynasty (1644–1911), Qianlong period (1736–95)
Culture:China
Medium:Polychrome lacquer with filled-in and engraved gold decoration
Dimensions:1 3/4 × 8 11/16 × 12 3/16 in. (4.4 × 22 × 31 cm)
Classification:Lacquer
Credit Line:Gift of Florence and Herbert Irving, 2015
Accession Number:2015.500.1.97
Provenance
[ Klaus F. Naumann , Tokyo, until 1992; sold to Irving]; Florence and Herbert Irving , New York (1992–2015; donated to MMA)
Exhibition History
New York. The Metropolitan Museum of Art. “Chinese Lacquer: Treasures from the Irving Collection, 12th–18th Century,” August 15, 2015–June 19, 2016.

New York. The Metropolitan Museum of Art. “Spirited Creatures: Animal Representations in Chinese Silk and Lacquer,” October 21, 2017–July 22, 2018.

Timeline of Art History
Timelines
Central and North Asia, 1600-1800 A.D.
China, 1600-1800 A.D.

參考:紐約大都會博物館 清中 绘人物漆盘 Tray
17th century
China

紐約大都會博物館 清中 绘人物漆盘 Tray
紐約大都會博物館 清中 绘人物漆盘 Tray

Object Details
Period:Qing dynasty (1644–1911)
Date:17th century
Culture:China
Medium:Lacquer
Dimensions:H. 4 1/2 in. (11.4 cm); W. 4 1/2 in. (11.4 cm)
Classification:Lacquer
Credit Line:Rogers Fund, 1927
Accession Number:26.264.5
Provenance
[ Ralph M. Chait Galleries, Inc. , New York, until 1926; sold to MMA]
Timeline of Art History
Timelines
Central and North Asia, 1600-1800 A.D.
China, 1600-1800 A.D.

漆器 历 史 与 鉴 别 Lacquerware History and Identification Lacquerware History and Identification 漆器 历 史 与 鉴 别
漆器 历 史 与 鉴 别 Lacquerware History and Identification Lacquerware History and Identification 漆器 历 史 与 鉴 别

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