南亚 锤碟生肖动物卷草纹银钵盖罐

Description

南亚 生肖动物卷草纹银钵盖罐
蛇鼠猫兔羊龙

参考：佳士得
現場拍賣 17423
2019年8月22日
佳士得家居精品
拍品 113 緬甸銀供品碗
A BURMESE SILVER OFFERING BOWL
LATE 19TH CENTURY/EARLY 20TH CENTURY

成交價 美元 1,125
估價 美元 700 – 美元 1,000

緬甸銀供品碗
19世紀末/20世紀初
圓形，以戰鬥中的人物雕刻，底面平鏨有孔雀在葉子中，似乎沒有標記
直徑10英寸（25.4厘米）
重34盎司2得克拉（1,060.5克）
A BURMESE SILVER OFFERING BOWL
LATE 19TH CENTURY/EARLY 20TH CENTURY
Circular, chased with figures in battle, underside flat-chased with a peacock within foliage, apparently unmarked
10 in. (25.4 cm.) diameter
34 oz. 2 dwt. (1,060.5 gr.)

注意事項
This lot is offered without reserve.
拍品整體狀況良好，表面有些輕微使用磨損痕迹。

参考：苏富比
STYLE: Furniture, Silver, Ceramics
24 October 2019•14:00 EDT
New York
LOT 326 A SILVER OFFERING BOWL WITH SCENES FROM THE RAMAYANA
LOWER BURMA (MYANMAR), CIRCA 1890
INDIAN, HIMALAYAN AND SOUTHEAST ASIAN ART

US$15,000 – US$20,000

参考：KIRSTEN’S CORNER JEWELRY
南亚 缅甸錾生肖动物纹银碗
INTRICATE BURMESE STERLING SILVER REPOUSSÉ ZODIAC BOWL

$783.00
An elegant and intricate sterling silver bowl made with the hand-hammering technique known as repoussé. The bowl displays the various animals of the Burmese zodiac; these creatures are rendered in astonishing detail and are flanked by beautiful hand etched patterns.

The bowl has beautiful hand chasing on the top and bottom borders. It’s a unique piece, every inch completely etched to the smallest detailed pattern. Each zodiac character around the outside of the bowl was done by hand, offering insight into Burmese culture.

It measures approximately 4″ x 4″ x 3 1/4″ and it weighs 4.82 troy oz. There is a hand-etched signature of the Burmese artist on the bottom. Circa 1890 – 1910.

参考： KIRSTEN’S CORNER JEWELRY
南亚 缅甸錾人物山水纹银碗
BRITISH INDIAN-BURMESE FIGURAL LANDSCAPE REPOUSSÉ SILVER BOWL

$2,382.00
This gorgeous Burmese Silver bowl from the late 19th- early 20th century features hand-hammered figural landscapes that create a historical narrative. The deep embossing or repoussé, and the hand-forming technique used in the making of this antique bowl are of note. The detailing of the ornate scrolls is exquisitely considered around the highly realistic figures. The figures have a surprising dimensionality; high quality silver works that have been hand-hammered like this one are a rare find. This bowl perhaps was once used as a silver presentation bowl during a special occasion- a script is found on the base that dates to 1903. The base reads: “Presented to Mr. and Mrs. Thompson, on the occasion of their wedding by the subalterns of the 79th C.I. ”

The 79th C.I. was the Carnatic Infantry regiment of the British Indian Army. After the three Anglo-Burmese Wars of the 19th century, Burma became a British Colony and was renamed Myanmar. This bowl is a remarkable piece of history. It is in great condition for its age, and a sure conversation started. Some of the high relief points on the bowl have been deeply hand-hammered that the silver has been broken through,this is part of the actual making of the piece as is not to be considered damage. This is not visible to the naked eye, and does not detract from its beauty- in fact, this shows the labor involved in this unique piece. The bowl is 11 cm high by 19 cm in diameter, or 4-1/2 inches tall by 6-3/4 inches wide. The bowl weighs 18.9 oz t.
参考：中国国家博物馆
清 凸花金鹿故事银钵

高13.5厘米、口径19厘米、底径14厘米
这是公元18世纪柬埔寨送给清政府的礼物。在柬埔寨，广为流传着许多历史传说故事和创世神话，如《金环蛇的故事》、《雷电的故事》、《蚊子的故事》，以及这件银钵上表现的《金鹿的故事》等。

参考：佳士得
11 6月 2018 | 現場拍賣 15504
印度藝術
拍品 134 1890 北印度勒克瑙地区 镀银铜钵一组
A GILT SILVER PUNCH SERVICE
LUCKNOW, NORTH INDIA, CIRCA 1890

成交價 GBP 2,500
估價 GBP 3,000 – GBP 5,000

A GILT SILVER PUNCH SERVICE
LUCKNOW, NORTH INDIA, CIRCA 1890
Consisting of a footed bowl and nine individual smaller bowls, each on plain base engraved with a geometric lotus bloom maker’s mark, the ten pieces with typical silver repousse hunting scenes, each with Swedish proof and assay marks
The footed bowl 7in. (17.8cm.) diam, the individual bowls 4 ½1in. (11.5cm.) diam.

拍品專文
Our punch service is decorated with the typical repoussé decoration attributable to Lucknow. Wilkinson quotes H. R Neville of the Gazeteer of India who, writing in 1904 indicates that the ‘hunting pattern’ took precedence on the original ‘jungle pattern’. He further praises the high craftsmanship of the Lucknow silversmiths before the turn of the 20th century despite a lower gauge of silver (Wynyard Wilkinson, Indian Silver, 1858-1947, London 1999, pp.125-129).

This set is decorated with scenes that appear to belong to the earlier ‘jungle pattern’ mentioned above. The bowls are executed in the typical Lucknow style with high relief and bold figures and landscapes (ibid 1999, p.127).

For comparable repoussé bowls and vessels with hunting patterns dated circa 1880 or 1890 see Wilkinson ibid., pp. 128, 135-136. Wilkinson also writes that the Lucknow silversmiths were very apt at copying themes form other Indian regions such as Kashmir, Kutch or Madras.

参考：佳士得
9 5月 2018 | 現場拍賣 16723
佩吉及大衛‧洛克菲勒夫婦珍藏：旅遊及美國文物
拍品 997 15世纪 马穆鲁克王朝 埃及 錾锡铜钵
A MAMLUK TINNED-COPPER BOWL
EGYPT, 15TH CENTURY

成交價 USD 5,250
估價 USD 1,200 – USD 1,800

A MAMLUK TINNED-COPPER BOWL
EGYPT, 15TH CENTURY
Of deep rounded form, the shoulder with a densely engraved band of inscription alternating with dense arabesque interlace and divided by rosette roundels, occasional pendants, later engraved floral motifs on interior, old repair, tinning rubbed
12 3/8 in. (31.4 cm.) diam. at mouth

來源
Abby Aldrich Rockefeller, New York.
Acquired from the estate of the above December 1 1960

出版
R. Ellsworth et al., The David and Peggy Rockefeller Collection: Arts of Asia and Neighboring Cultures, New York, 1993, vol III, p. 393, no. 293.

注意事項
On occasion, Christie’s has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is a lot where Christie’s holds a direct financial guarantee interest.

拍品專文
In the cartouches around the body, with parts missing and words repeated, Arabic verses:

balaghta min al-‘ulya a‘la [a]l-mara[tib] / al-maratib
wa qaranaka al / wa qaranaka al-taw/fiq [a]l-tawfiq min kull janib
wa / la zalta marghuban ilayka / ilayka wa [ba]sitan
yamin[ayka fi’]l-dun[ya bi-nayl al-maratib]

“You have reached through greatness the highest of ranks,
And success has accompanied you on all sides,
You continue to be desired and to stretch
Out your hands into the world in the attainment of rank.”

These verses are commonly found on 15th-century Mamluk metalwork. (Doris Behrens-Abousaif, “Veneto-Saracenic Metalware in Mamluk Art”, in Mamluk Studies Review IX (2), 2005, p. 150).

参考：佳士得
9 5月 2018 | 現場拍賣 16723
佩吉及大衛‧洛克菲勒夫婦珍藏：旅遊及美國文物
拍品 1003 19世纪伊朗卡扎尔王朝 錾花诗文铜钵
A QAJAR REPOUSSÉ BRASS BOWL
IRAN, LATE 19TH OR EARLY 20TH CENTURY

成交價 USD 3,750
估價 USD 600 – USD 800

A QAJAR REPOUSSÉ BRASS BOWL
IRAN, LATE 19TH OR EARLY 20TH CENTURY
Of wide rounded form on rounded base, the tapering shoulder with everted mouth, the shoulder with a band on interlaced roundels, inscription panels around the neck, the underside with extensive arabesque interlace, the interior with an applied roundel with further inscriptions and arabesques
7 in. (17.8 cm.) diam. at mouth

來源
Lucy Truman Aldrich, Providence, Rhode Island.
Acquired from the estate of the above September 1955.

出版
R. Ellsworth et al., The David and Peggy Rockefeller Collection: Arts of Asia and Neighboring Cultures, New York, 1993, vol III, p. 398, no. 299.

注意事項
On occasion, Christie’s has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is a lot where Christie’s holds a direct financial guarantee interest.

拍品專文
The inscriptions contain verses from Sa’di’s Gulistan, followed by a date:

har chih ravad bar saram chun tu pasandi rava[st]
bandah chih da‘va kunad hukm-i khuda [rast]

“Whatever happens to me is correct since you [ie. God] have approved it,
How can the slave dispute it? God’s command is right.”

mihtari dar qabul-i farman ast
tark-i farman dalil-i haraman ast

“Greatness is in accepting commands,
Ignoring them is the sign of the excluded.”

har kih sima-yi rastan darad
sar-i khidmat bar astan darad 1084

“Whoever bears the sign of the righteous,
Places the head of service upon the threshold. 1084 (1673-4).”

On the inside of the bowl, the inscriptions around the centre includes a further couplet from the Gulistan of Sa‘di:

ta dil-i dustan bi-dast ari
bustan-i pidar furukhtah bih

“In order to gain the hearts of friends,
Sell even the garden of your father.”

In the centre is an owner’s inscription:

sahihubu khw[a]jah (?) wali bin (?) haji …

“Its owner, Khwajah (?) Wali bin Haji … ”