明干青翡翠雕龙纹水洗

Description

Post Views: 68

明干青翡翠雕龙纹水洗

参考：佳士得
現場拍賣 20849
2022年11月29日
重要中國瓷器及工藝精品
拍品 3044
A SPINACH-GREEN JADE ‘BATS AND CLOUDS’ WASHER
清十八世紀碧玉雕雲蝠紋洗
QING DYNASTY, 18TH CENTURY

估價港元 200,000 – 港元 300,000

清十八世紀碧玉雕雲蝠紋洗
5 in. (12.6 cm.) wide

狀況報告
– 整體品相較好，惟口沿和邊緣有些許微磕，為正常現象。

参考：嘉德
2019 秋季拍賣
觀古－瓷器珍玩工藝品
682 玉雕雲龍紋洗(明)

15.3 cm. (6 in.) wide

此拍品為高浮雕雲龍紋玉洗，玉質青灰，通體帶黑、褐、黃色沁，隨形掏膛雕琢而成筆洗狀。斂口，圓腹，器表高浮雕祥龍戲珠於雲海中翻騰隱現，全器雕刻嫻熟，刻畫栩栩如生，線條犀利，紋飾靈動，層次豐富，尤其是器身的祥龍，龍口大張，龍爪揮舞，龍尾擺動於雲海之間，器底所刻水波漩渦整齊細緻，與卷雲紋水乳交融，可謂氣象萬千，大氣雄渾。雲龍紋是古代常見的一種紋樣，始於唐宋五代時期，貫穿整個明代，而且一直延續到清，堪稱為一種定型的紋飾，除了高浮雕，更常見於各代青花瓷器身。來源：美國私人珍藏參閱：《Jade from Emperors to Art Deco》，吉美博物館，2016年，第149頁，圖124

估價 : HKD: 200,000 – 300,000 USD: 25,500 – 38,300
成交價: HKD: —

参考：苏富比
Important Chinese Art
November 1, 09:48 AM PDT
A large spinach-green jade ‘dragon’ washer, Qing dynasty, 18th / 19th century
清十八 / 十九世紀碧玉五龍戲珠紋洗

Estimate：80,000 – 120,000 GBP

Lot Details
清十八 / 十九世紀碧玉五龍戲珠紋洗
Length 26.5 cm, 10⅜ in.

Condition Report
器面見磨痕、極細微缺損，邊角處見小磕。料天然含沁、綹裂，如底部少許，向上延伸至口沿。口沿四周雕紋尖端見一極細微修。

Provenance
Collection of Richard Salisbury (1924-1995).
Christie’s New York, 13th September 2019, lot 937.
Richard Salisbury (1924-1995)收藏
紐約佳士得2019年9月13日，編號937

Catalogue Note

The present piece is an outstanding example of jade carvings from the Qianlong period (1736-1795), notable for its large size and the dynamic depiction of the intricate design featuring five powerful dragons writhing through swirling clouds and turbulent seas, pursuing flaming pearls in high relief. Its design references the Dushan dayuhai [Du Mountain basin], a massive wine basin commissioned by Kubilai Khan in 1265 during the Yuan dynasty (1279–1368). Initially positioned in the Guanghan Hall of his pleasure garden, the basin was later relocated to a nearby Daoist temple following the fall of the dynasty. It remained obscured until the 18th century when the Qianlong Emperor rediscovered it, acquired it from the Daoist temple, and moved it back to the imperial gardens in 1745. As a passionate jade collector, the Qianlong Emperor was so taken with this massive piece, that he ordered it to be cleaned and polished. He even composed three imperial poems expressing his admiration in 1746, 1749 and 1774, and had them all inscribed onto the body of the basin.

Driven by this passion, a series of jade with a similar design but in various of sizes were commissioned by the Emperor. Compare several pieces on this subject, one closely related example, sold in these rooms, 10th November 2010, lot 316; one in slightly smaller size and in white jade, sold in our Hong Kong rooms, 9th October 2007, lot 1335; and one in slightly smaller size and in grey jade, illustrated in Treasure of Imperial Jade. The Collection of the Qing Court Special Exhibition, Beijing, 2018, pl. 42. Compare also several closely related examples with imperial inscriptions, one in celadon jade, from the collection of Summer Palace, Beijing, illustrated in op.cit., pl. 50; and a slightly larger one, from the collection of Florence (1920-2018) and Herbert (1917-2016) Irving, and later gifted to the Metropolitan Museum of Art, New York, sold in our New York rooms, 20th September 2019, lot 20.

参考：佳士得
27 5月 2021 | 現場拍賣 20193
凝秀輝英 — 歐洲私人珍藏玉雕
拍品 2713
A CHICKEN BONE JADE ‘ZODIAC ANIMALS’ BOWL
清十八世紀雞骨白玉十二辰紋盌
QING DYNASTY, 18TH CENTURY

成交價 HKD 1,625,000
估價 HKD 60,000 – HKD 100,000

清十八世紀雞骨白玉十二辰紋盌
6 3/8 in. (16.2 cm.) diam.

來源
於1960-1970年代購於倫敦

狀況報告
謹請注意，所有拍品均按「現狀」拍賣，閣下或閣下的專業顧問應於拍賣前親自查看拍品以評鑑拍品之狀況。
-盌曾裂成幾片后粘補,但無明顯缺失
-邊角有些許輕微磕碰
-表面有些許劃痕及磨損

参考：苏富比
Important Chinese Art
05 十月 2016 • 香港
Important Chinese Art /
拍品 3659
3659
清乾隆仿汝釉鏜鑼洗《大清乾隆年製》款

估價 100,000 – 120,000 HKD
已售出 437,500 HKD

描述
《大清乾隆年製》款
porcelain
11.3 公分，4 3 /8 英寸

the compressed body rising from a tapered foot to a short mouthrim with a small ‘U’-shaped dent, applied overall save for the unglazed footring with a creamy light greyish-blue glaze thinning to the mouthrim, the base with an underglaze-blue six-character seal mark

参考：佳士得
12 9月 2019| 現場拍賣 16950
重要中國瓷器及工藝精品
拍品 937
A LARGE WELL-CARVED SPINACH-GREEN JADE ‘DRAGON’ WASHER
THE PROPERTY OF A PRIVATE AMERICAN COLLECTOR
清十八/十九世紀碧玉五龍戲珠紋洗
18TH-19TH CENTURY

成交價 USD 68,750
估價 USD 40,000 – USD 60,000

清十八/十九世紀碧玉五龍戲珠紋洗
18TH-19TH CENTURY
10 3/8 in. (26.5 cm.) wide

來源
Richard Salisbury (1924-1995) Collection and thence by descent within the family.

狀況報告
We have sought to record changes in the condition of this piece acquired after its initial manufacture.
– loss to the pointed scale on the knee of one dragon, and other few minor losses to the carved decoration
– a restuck chip to one flame of the flaming pearl
– some inclusions and veins in the stone which are inherent to the material

拍品專文
The craftmanship of the present washer, carved in high relief with a complex pattern of dragons, writhing and partially emerging out of dense clouds, is particularly successful. The interior of the vessel is well-hollowed while the thick, gently rounded sides are carved in high relief on the exterior with great depth created by the multiple layers of clouds. It is interesting to note that the artist utilized the natural shape of the original boulder, which would have been of considerable size.

The most notable aspect of the present washer is the treatment of the swirling wave that forms the flat base of the vessel. The earliest example of this form of wave-base on jades is a massive wine basin measuring 493 cm. across the body, carved in shallow relief with mythical sea creatures on the exterior, known as the Dushan dayuhai, the ‘Du Mountain Wine Sea’. This basin was believed to have been commissioned by Khubilai Khan, who placed it in the Guanghan Palace on the Hill of Myriad Years, located on an island in Beihai Lake, Beijing. The motif evolved into the Ming dynasty, and can be found on jade vessels such as a celadon jade basin from the Hartman collection, illustrated by R. Kleiner in Chinese Jades from the Collection of Alan and Simone Hartman, Hong Kong, 1996, no. 45. In the Qing dynasty the same combination of the deeply-carved dragon and cloud motif above the swirled wave base, can be found in both white and spinach-green jade. See a white jade example from the collection of Lady Lever illustrated by S.C. Nott in Chinese Jade, London, 1937, pl. CI, and spinach-green jade version from the Kangxi period sold at Christie’s Hong Kong, 29 May 2007, lot 1401.

参考：佳士得
28 5月 2007 | 現場拍賣 2368
中國宮廷御製藝術精品
拍品 1401
A RARE LARGE SPINACH-GREEN JADE ‘DRAGON’ BRUSHWASHER
PROPERTY FROM AN IMPORTANT PRIVATE COLLECTOR OF JADE CARVINGS

成交價 HKD 2,160,000
估價 HKD 1,800,000 – HKD 2,500,000

細節
A RARE LARGE SPINACH-GREEN JADE ‘DRAGON’ BRUSHWASHER
KANGXI PERIOD (1662-1722)

Of compressed ovoid form, the rounded sides curving in at the mouth rim, finely carved in high relief with five lively dragons in pursuit of flaming pearls, all emerging out of a dense ruyi-cloud ground and above crested waves on the underside, created by a whirlpool emanating from the centre of the base, the stone of an attractive dark sea-green tone suffused with areas of lighter green

9 1/2 in. (24.1 cm.) wide, box

來源
Property from a Scottish estate, previously sold at Sotheby’s London 10 November 2004, lot 572

拍品專文
The workmanship of the present brushwasher carved in high relief to depict a complex pattern of dragons, writhing and partially emerging out of dense clouds, is particularly successful amongst carved jades of the early Qing period. The interior of the vessel is well-hollowed whilst the thick rounded sides are carved in high relief on the exterior to provide the viewer with a sense of depth created by the multiple layers of clouds. It is interesting to note that the artist utilised the natural shape of the original boulder which would have been of considerable size.

The most notable aspect of the present brushwasher is the treatment of the whirlpool underside where it forms the base of the vessel (fig. 1). This unusual wave-base is found on a number of jade carvings that have been dated to the 16th/17th century Ming period, such as the white jade mythical dragon-tortoise shaped water container, included in the exhibition, Arts from the Scholars Studio, University of Hong Kong, 1986, p. 158, no. 131; on a celadon jade basin from the Hartman collection, illustrated by R. Kleiner, Chinese Jades from the Collection of Alan and Simone Hartman, Hong Kong, 1996, no. 45; and a large spinach-green jade bowl from the Bamble North collection sold at Sotheby’s London, 18 June 1968, lot 150.

The earliest example of this form of wave-base on jades is a massive wine basin measuring 493 cm. across the body, carved in shallow relief with mythical sea creatures on the exterior, known as the Dushan dayuhai, the ‘Du Mountain Wine Sea’. This basin was believed to have been commissioned by Khubilai Khan, who placed it in the Guanghan Palace on the Hill of Myriad Years, located on an island in Beihai Lake, Beijing. The vessel disappeared during the turbulent transitional years between the Yuan to Ming dynasty, although its existence was known during the Ming period. The basin was later rediscovered by Emperor Qianlong in 1745 who found priests using it as a container for preserved vegetables. Qianlong was so impressed with the basin that he composed three poems based on the vessel and had the text inscribed onto the vessel. For similar dragon basins dated to the Qianlong period, cf. a large green jade vessel, formerly from the H. R. Bishop collection and now in the Metropolitan Museum, illustrated in Chinese Decorative Art, The Metropolitan Museum of Art, p. 30; and two examples sold at auction, the first sold at Sotheby’s Hong Kong, 19 November 1985, lot 48; and the other sold in these Rooms, 3 June 1993, lot 58. Compare also two related examples dated to 17th/18th century, a spinach-green bowl carved with plain mouth rim, sold at Sotheby’s 24 June 1958, lot 158; and the other of white jade in the collection of Lady Lever, illustrated by S.C. Nott, Chinese Jade, London, 1936, pl. CI.

This ethereal imagery of dragons emerging out of clouds is a theme disseminated from Southern Song dynasty paintings traditionally attributed to the renowned artist Chen Rong (circa 1189-1258). Compare a handscroll painting attributed to Chen Rong depicting a single dragon striding out of misty clouds, in the Palace Museum collection, illustrated op. cit., p. 171, no. 132 (fig. 2). Also compare the well-known ‘Nine Dragons’ handscroll in the Boston Museum of Fine Art, illustrated in Zhongguo Huihua Quanzhi, Zhejiang renminmeishu chubanshe, vol. 4, 1999, pp. 166-9, nos. 127-130. The dragons on the Boston handscroll are variously portrayed rising out of crested waves, clambering on jagged rocks, half-submerged in clouds and in pursuit of a pearl. All these attributes clearly provided the inspiration for later works of art, particularly in scholars’ objects, such as present brushwasher.

The dragon-in-cloud subject-matter continued into the early Qing period, and is exemplified by a sepia-enamelled cylindrical brushpot, formerly from the J.M. Hu collection and now in the Art Gallery, the Chinese University of Hong Kong. The dragon painting on the brushpot was designed by the famous Imperial ceramics supervisor, Tang Ying (1682-1756), and dated to the first half of the 18th century, illustrated by P. Lam, Elegant Vessels for the Lofty Pavilion, The Chinese University of Hong Kong, 1993, no. 14 (fig. 3).

参考：苏富比 817
中國藝術珍品
清十八 / 十九世紀松花石雕蓮塘佳色圖荷葉形洗

10,000 — 15,000美元

拍品詳情
清十八 / 十九世紀松花石雕蓮塘佳色圖荷葉形洗

狀況報告
一側魚尾及口沿附近一藤經修，底部一塊部分經修。此外惟見微磕分佈，與年代、使用相符。

中國藝術珍品
2019年9月11日 | 上午 10:30 EDT
紐約

参考：苏富比 26
THOMPSON-SCHWAB中國玉器收藏
清乾隆碧玉穿雲游龍紋缽配銅鎏金座

60,000 — 80,000英鎊
拍品已售 365,000 英鎊成交價 (含買家佣金)

拍品詳情
清乾隆碧玉穿雲游龍紋缽配銅鎏金座
數量: 2
18.5 公分；7 1/4 英寸

狀況報告
一邊有一處橢圓形破損（18×8公分）經重新粘貼，見相關填補。底部有一道10公分的紋理，見相關填補。

相關資料
乾隆皇帝素喜穿雲游龍紋飾，本品雕琢游龍馳騁祥雲之間，威風凜凜、栩栩如生，引人注目。每龍獠牙尖銳、杏目圓睜、鼻孔賁張，形態甚為威猛。螭龍身體呈流線形，滿佈鱗片，仿似劃破長空，遨遊彩雲之間，力量驚人。此類器物，應受元代碩大黑玉缽所啟發。該缽於乾隆皇執政期間，發現於一道觀中，現藏於團城演武廳，附圖載於《中國美術全集：玉器》，第九冊，1991年，圖版264。

倫敦蘇富比2012年5月16日曾售一例，編號6；另一尺寸較小者，斷代為明朝晚期，載於《Jade as Sculpture》，明尼蘇達藝術博物館，聖保羅，1975年，編號6；紐約蘇富比尚有一例，尺寸較大，售於1974年10月17/18日，編號205；另有一例售於倫敦蘇富比，1969年7月1日，編號53；又有一例，盌內題詩並銘有紀年1772年，售於香港蘇富比1985年11月19日，編號48；尚有一例售於倫敦佳士得1965年5月31日，編號163。另有一缽飾水波游龍紋，藏於北京故宮博物院，載圖刊於《中國玉器大全》，第六冊，石家莊，1993年，圖版333。

同可比較一剔紅漆例，刻水波游龍紋，曾兩度售於香港蘇富比，分別為1982年11月9日，編號334、及2009年10月8日，水松石山房珍玩專場拍賣會，編號1828。

THOMPSON-SCHWAB中國玉器收藏
2016年11月9日 | 上午 10:00 GMT
倫敦

参考：苏富比 3704
中國藝術珍品
清康熙灰白玉雕雲龍紋洗

550,000 — 750,000港幣
拍品已售 937,500 港幣成交價 (含買家佣金)

拍品詳情
清康熙灰白玉雕雲龍紋洗
19.4 公分，7 5/8 英寸

來源
傳英國私人收藏

中國藝術珍品
2016年10月5日 | 下午 2:30 HKT
香港

参考: 苏富比 45
亞洲藝術
清褐斑青白玉雙龍爭珠紋筆洗

15,000 — 25,000歐元

拍品詳情
清褐斑青白玉雙龍爭珠紋筆洗

狀況報告
整體品相良好，帶自然沁斑。

亞洲藝術
2014年6月10日 | 上午 10:30 CEST
巴黎

参考： SOTHEBY’S 蘇富比
重要中國瓷器及工藝品
306 華盛頓私人收藏
清十八世紀碧玉雕八寶吉祥有餘雙耳洗

估價 70,000 — 90,000 美元

拍品詳情

重要中國瓷器及工藝品
2012年9月11日 – 2012年9月12日 | 上午 10:00 EDT
紐約

清十八世紀碧玉雕八寶吉祥有餘雙耳洗
寬 10 1/2 英寸，26.7 公分

狀況報告
There are minor small nicks to the interior of the rim, otherwise the bowl is in good condition.

來源
O.M. 瑞德先生(1882-1947)收藏。
H.R. 瑞德夫人 (1882-1970)收藏。
紐約蘇富比1971年5月21日，拍品編號402。
德州，休斯頓克爾先生1971至1995年收藏，自此家族收藏。

参考：佳士得拍賣 2388
瑰玉清雕──Alan and Simone Hartman重要玉器珍藏(II)
Hong Kong|2007年11月27日
拍品1533 明鸡骨白玉水洗
A RARE ‘CHICKEN-BONE’ JADE ALMS BOWL

成交總額 HKD 1,927,500
估價 HKD 250,000 – HKD 300,000

A RARE ‘CHICKEN-BONE’ JADE ALMS BOWL
MING DYNASTY, 16TH-17TH CENTURY

The steep sides rising to a rounded slightly inturned rim, vividly carved to the exterior in relief with three slender coiling dragons among flames, each finely detailed with cross-hatched scales and twisting dorsal spines, the countersunk base bordered by a band of crested waves, the opaque stone varying from creamy beige to a lustrous dark greyish-brown tone
6¼ in. (15.9 cm.) diam., stand

來源
J.J Lally, New York

文獻及展覽
文獻
Robert Kleiner, Chinese Jades from the Collection of Alan and Simone Hartman, Hong Kong, 1996, no. 46

展覽
Christie’s New York, 13-26 March 2001 Museum of Fine Arts, Boston, August 2003-December 2004

拍品專文
The elongated bodies and cross-hatching technique used to depict the dragons’ scales bears similarities with contemporaneous depictions of dragons on jade belt plaques prevalent during this period. However, the fine detail and sense of movement in the carving of the dragons on the current piece, not generally found on pieces of this period, highlights this as a particularly fine example of its kind.

參考：紐約大都會博物館
清中期玉缽 Bowl
late 18th–early 19th century
China

Bowl, Jade (nephrite), China
Object Details
Period:Qing dynasty (1644–1911)
Date:late 18th–early 19th century
Culture:China
Medium:Jade (nephrite)
Dimensions:H. 4 in. (10.2 cm); W. 6 7/8 in. (17.4 cm)
Classification:Jade
Credit Line:Gift of Heber R. Bishop, 1902
Accession Number:02.18.703
Provenance
Heber R. Bishop , New York (until 1902; donated to MMA)
Timeline of Art History
Timelines
Central and North Asia, 1600-1800 A.D.
Central and North Asia, 1800-1900 A.D.
China, 1600-1800 A.D.
China, 1800-1900 A.D.

參考：紐約大都會博物館
清乾隆碧玉雲龍洗 Basin

dated 1774
China

This basin, embellished with dragons chasing flaming pearls through a cloud-filled landscape, bears on its interior a poem by the Qianlong Emperor (r. 1735–96), indicating that the piece was inspired by an enormous jade wine container believed to have been commissioned by Khubilai Khan and still on view in Beihai Park, Beijing.

On view at The Met Fifth Avenue in Gallery 222

Period:Qing dynasty (1644–1911), Qianlong period (1736–95)
Date:dated 1774
Culture:China
Medium:Jade (nephrite)
Dimensions:H. 7 5/8 in. (19.3 cm); W. 29 15/16 in. (76. 1 cm); D. 16 15/16 in. (43 cm)
Classification:Jade
Credit Line:Gift of Heber R. Bishop, 1902
Accession Number:02.18.689
Signatures, Inscriptions, and Markings
Inscription: Inscription inside by Qianlong Emporer

臣質和闐貢，良材作甕堪。雲容垂碧落，
龍德出深潭。從類奇文覩，應聲精蹟探。
僧繇畫超絕，韓愈說包含。郡有堯年露，
非無園客蠶。遐球如近賦，屢獲以爲慚。
乾隆甲午新春御題。（鈐印：所寳惟賢，乾隆御筆）

Provenance
Heber R. Bishop , New York (until 1902; donated to MMA)

Exhibition History
New York. The Metropolitan Museum of Art. “A Passion for Jade: Heber Bishop and His Collection”.
New York. The Metropolitan Museum of Art. “When the Manchus Ruled China: Painting under the Qing Dynasty (1644–1911),” February 2, 2002–August 18, 2002.
New York. The Metropolitan Museum of Art. “The Bishop Jades,” March 30, 2004–February 12, 2006.
New York. The Metropolitan Museum of Art. “The “Hundred Antiques”,” February 18, 2006–October 31, 2006.
New York. The Metropolitan Museum of Art. “Extravagant Display: Chinese Art in the Eighteenth and Nineteenth Centuries,” December 14, 2010–May 1, 2011.
New York. The Metropolitan Museum of Art. “A Passion for Jade: The Heber Bishop Collection,” March 14, 2015–June 19, 2016.
New York. The Metropolitan Museum of Art. “Colors of the Universe: Chinese Hardstone Carvings,” June 25, 2016–October 9, 2017.

Timeline of Art History
Timelines
China, 1600-1800 A.D.
MetPublications
“Chinese Decorative Arts”: The Metropolitan Museum of Art Bulletin, v. 55, no. 1 (Summer, 1997)
Asian Art at the Metropolitan Museum The Metropolitan Museum of Art Bulletin, v. 73, no. 1 (Summer, 2015)

参考：北京保利第34期古董精品拍卖会
瓷器·玉器·工艺品
清火烧玉螭龙纹笔洗

瓷器·玉器·工艺品拍卖信息 Lot 1897 清火烧玉螭龙纹笔洗 — 瓷器·玉器·工艺品Lot 1897 清火烧玉螭龙纹笔洗

估价：无底价
成交价： 1,150 RMB （含买家佣金）
尺寸：宽12.5cm

参考：Sworder
2016年亚洲艺术品春季拍卖会
亚洲艺术
清十八/十九世纪碧玉云龙纹笔洗

亚洲艺术拍卖信息 Lot 110 清十八/十九世纪碧玉云龙纹笔洗 — 亚洲艺术
拍卖信息
Lot 110 清十八/十九世纪碧玉云龙纹笔洗

估价：400-500 GBP
落槌价： 500 GBP
尺寸：宽18cm

参考：匡时香港2016秋季拍卖会
集瑞——古董珍玩专场
明海水龙纹火烧玉洗连木座

集瑞——古董珍玩专场拍卖信息 Lot 0095 明海水龙纹火烧玉洗连木座 — 集瑞——古董珍玩专场
拍卖信息
Lot 0095 明海水龙纹火烧玉洗连木座

估价：1,800,000-2,000,000 HKD
成交价： 2,124,000 HKD （含买家佣金）
尺寸： 6.5×15×15cm

拍品说明：
来源：香港佳士得，2007年11月27日Lot1533展览：
1.Christie’s New York 13-26 March2001
2.Museum of Fine Arts， Boston. August 2003-December 2004

说明：钵形，口内敛，深弧腹，平底。玉料体量较大，掂之坠手，内壁打磨光滑，经岁月洗礼，质地软而温润，抚之毫无涩手之感。玉色呈黄灰，古朴醇厚。外壁浮雕云龙纹，依据龙的面部、躯体及神态可断定为明晚期所作，躯干细长，扭动幅度较大，头部写实，四肢粗壮，爪牙锋利。龙穿游云间，其下海水江崖，气势滂湃。纹饰刻线游刃，刀法老练，线条连贯，一气呵成，龙身鳞片以交叉线表达，正所谓粗中有细，豪迈与细腻并存。构图疏朗，紧密有致，虽为气势强大的云龙纹，却因疏朗布局而显得古韵犹存，毫无庸俗之感。在线条把握上运用对比之法，云火之尖头与赋有肌肉弹性的龙躯体形成对比，使得本品在线条别有韵味，代表明代玉雕精湛水平。本品为火烧玉，即用火烧的办法将玉原本的质地钙化，形成类似于土沁之感，是对古朴审美的追求，所成之品具有苍伤、干涩的沉着静穆之美，欣赏之如品一碗陈年老茶，苦涩而甘甜，这种火烧玉似乎有一种能将历史凝聚在器皿之上的本领，也是古人对玉的无限探索，如此艺术品需慢慢品味欣赏。

参考：Doyle New York
2018年亚洲艺术品秋季拍卖会
亚洲艺术品
Chinese Mughal-Style Gray Green Jade Chrysanthemum Bowl ,19th Century